The Plastic Dome of Norma Jean

The Plastic Dome of Norma Jean
The Plastic Dome of Norma Jean
Directed by	Juleen Compton
Written by	Juleen Compton
Produced by	Stuart Murphy
Starring	Sharon Henesy; Robert Gentry; Marco St. John; Sam Waterston; Skip Hinnant; Arthur Hughes; Henry Oliver;
Music by	Michel Legrand
Release date	1966;
Running time	82 minutes
Country	United States
Language	English
Budget	$125,000

The Plastic Dome of Norma Jean is a 1966 independent film about a young psychic woman whose powers are exploited by a boy band, directed by Juleen Compton.^[4] It was written by Compton and filmed in the Ozark mountains, and was the feature film debut of Sam Waterston. The film was shown at Cannes, which awarded the film as part of its International Female Week series,^[5] and at the San Francisco International Film Festival.^[3]^[6]

Synopsis

Norma Jean and her friend Vance go to pick up a large wooden crate that Norma Jean ordered through a catalog and drive it to an empty lot on the side of the road to figure out what to do with the large plastic dome inside. Vance suggests Norma Jean touch the dome to get one of her prescient “feelings." She does so, hearing music before a group of three men arrive in a car playing instruments (“Poor Boy”). She touches each of the men in turn, using her clairvoyance to learn the men’s names: Andy, Francis, and Bobo. The men agree to help Norma Jean and Vance set up the dome so their band can play inside. As Norma Jean, Andy, and Francis explore the surrounding woods, they encounter a tramp. Meanwhile, a cave-in traps a man in a nearby cave.

The group drives Norma Jean and Vance’s truck through Table Rock advertising the show, but the first performance is a flop. Bobo gets the idea to use Norma Jean’s clairvoyance as a draw, while Vance is resistant to the idea. Eventually, Norma Jean agrees, and during the first performance an audience member becomes extremely distressed while Norma Jean uses her preternatural ability to “read” the woman’s pocket watch. At a later performance, Norma Jean collapses after having a vision of a body hanging in a well. At the cave-in, a man volunteers to go crawl inside to look for the survivors, but becomes trapped himself.

After Norma Jean’s vision, the mayor of Table Rock shows up to the dome, concerned over reports of her visions. Upon interrogating her, the sheriff guesses the location of the well in Norma Jean’s vision, and they discover the woman with the pocket watch hanged herself inside. Norma Jean is distraught, but Bobo is insistent that they continue the performances, as he has set up a corporation so the group can make money off her abilities. Norma Jean continues her performances, but falls ill from the toll of the visions (“Norma Jean”). Vance and Norma Jean conspire to run away, and Norma Jean hides herself in a junkyard. There, she befriends the tramp they met in the woods, who introduces himself as Christopher Montague Forsythe. While playing with a rabbit in the junkyard, Norma Jean and Chris are attacked by a pair of men who hit Chris over the head and chase Norma Jean away.

Afterwards, the men realize Norma Jean is the missing psychic and tell the mayor and sheriff that they saw a Chris attacking her. Vance goes to the junkyard to help Norma Jean, but the two men, the mayor, and the sheriff arrive as well. When they see Norma Jean trying to help an injured Chris, they mistakenly believe he is attempting to kidnap her; the sheriff fires his gun at them, shooting Norma Jean, and she dies in Vance’s arms.

Cast

Sharon Henesy as Norma Jean, a young woman whose psychic abilities cause her to see visions when she touches objects and people
Robert Gentry as Vance, Norma Jean's boyfriend
Marco St. John as Bobo, the leader of a band who tries to exploit Norma Jean's abilities
Sam Waterston as Andy, a member of Bobo's band
Skip Hinnant as Francis, a member of Bobo's band
Arthur Hughes as Chris, a tramp who Norma Jean befriends

Production

The Plastic Dome of Norma Jean was filmed on location in the Ozarks^[6] and was financed entirely by Juleen Compton, who had made some money in real estate while working in film.^[5] It was the feature film debut of actor Sam Waterston, who portrayed Andy.^[4] The character Norma Jean was named after Marilyn Monroe;^[3] according to Compton, the film depicts the dangers of fame for a young woman.^[7]

References

1 2 "The Plastic Dome of Norma Jean | San Francisco Film Festival". San Francisco International Film Festival. Retrieved 17 April 2021.
↑ "THE PLASTIC DOME OF NORMA JEAN". Library of Congress. Retrieved 16 April 2021.
1 2 3 "Film: The Plastic Dome of Norma Jean". The Village Voice. No. Vol. XV No. 15. 9 April 1970. Retrieved 17 April 2021.
1 2 "The Plastic Dome of Norma Jean | UCLA Film & Television Archive". UCLA Film and Television Archive. UCLA. Retrieved 16 April 2021.
1 2
- Smukler, Maya Montañez (2019). Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema. New Brunswick, NJ: Rutgers University Press. ISBN 978-0813587479.
- Smukler, Maya Montañez (2014). Working Girls: The History of Women Directors in 1970s Hollywood. University of California, Los Angeles. A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Philosophy in Film and Television
1 2 "Cineprobe presents a feature film by Juleen Compton" (PDF). Museum of Modern Art Press Archives. Museum of Modern Art. Retrieved 17 April 2021.
↑ Brody, Richard (19 June 2019). "Juleen Compton, a Director and Actor Whose Career Was Tragically Overlooked". The New Yorker. Retrieved 17 April 2021.

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[sf-1] 1 2 "The Plastic Dome of Norma Jean | San Francisco Film Festival". San Francisco International Film Festival. Retrieved 17 April 2021.

[loc-2] "THE PLASTIC DOME OF NORMA JEAN". Library of Congress. Retrieved 16 April 2021.

[v-3] 1 2 3 "Film: The Plastic Dome of Norma Jean". The Village Voice. No. Vol. XV No. 15. 9 April 1970. Retrieved 17 April 2021.

[ucla-4] 1 2 "The Plastic Dome of Norma Jean | UCLA Film & Television Archive". UCLA Film and Television Archive. UCLA. Retrieved 16 April 2021.

[mm-5] 1 2
Smukler, Maya Montañez (2019). Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema. New Brunswick, NJ: Rutgers University Press. ISBN 978-0813587479.

Smukler, Maya Montañez (2014). Working Girls: The History of Women Directors in 1970s Hollywood. University of California, Los Angeles. A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Philosophy in Film and Television

[mwfw] Smukler, Maya Montañez (2019). Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema. New Brunswick, NJ: Rutgers University Press. ISBN 978-0813587479.

[mwiA] Smukler, Maya Montañez (2014). Working Girls: The History of Women Directors in 1970s Hollywood. University of California, Los Angeles. A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Philosophy in Film and Television

[moma-6] 1 2 "Cineprobe presents a feature film by Juleen Compton" (PDF). Museum of Modern Art Press Archives. Museum of Modern Art. Retrieved 17 April 2021.

[ny-7] Brody, Richard (19 June 2019). "Juleen Compton, a Director and Actor Whose Career Was Tragically Overlooked". The New Yorker. Retrieved 17 April 2021.

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