The Wiggles
Studio album by
the Wiggles
ReleasedAugust 1991[1][2]
RecordedFebruary 1991[2]
StudioTracking Station Recording Studios, Sydney, Australia[2]
GenreChildren's music
Length34:42
LabelABC Music/Phonogram
ProducerAnthony Field
The Wiggles chronology
The Wiggles
(1991)		 Here Comes a Song
(1992)

The Wiggles is the debut album by the Australian children's band the Wiggles, released in 1991 by ABC Music distributed by Phonogram. As a student music project at Macquarie University, the band assembled a group of songs reworked from the Cockroaches as well as arrangements of children's music. It was the only album that involved Phillip Wilcher as one of the group's members. The album sold 100,000 copies, and received Australian Record Industry Association (ARIA) and Australasian Performing Right Association (APRA) awards.

Background and development

Phillip Wilcher, who was an early member of the Wiggles and "contributed the most musically to the debut album".[3]

In 1991, while working with the early childhood music department at Macquarie University, Phillip Wilcher met musician and former member of the Australian rock group the Cockroaches, Anthony Field, who was studying child development. According to Wilcher, Field asked him to join the Wiggles, which would become "Australia's foremost children's entertainment act",[4] and to help them produce the album.[3] The album was dedicated to the memory of Paul Field's infant daughter, Bernadette, who had died of SIDS in 1988.[5]

Wilcher financed and "contributed the most musically to the debut album",[3] composing 75% of the music.[6] Like a university assignment, they produced a folder of essays that explained the educational value of each song on the album.[7] They needed a keyboardist "to bolster the rock-n-roll feel of the project",[8] so Field asked his old bandmate Fatt, for his assistance in what they thought would be a temporary project.[9][note 1] Recording sessions were held at Wilcher's home,[10] and the album cost approximately A$4,000 to produce.[11]

The group reworked a few Cockroaches tunes to better fit the genre of children's music; for example, according to Field, a Cockroaches song he wrote, "Mr. Wiggles Back in Town" became "Get Ready to Wiggle" and inspired the band's name because they thought that wiggling described the way children dance.[11][12] There was also a piece by Phillip Wilcher, "Summer Dance",[13] that appeared on the album, as "Archie's Theme".[3][14][15] Likewise, the tune of another Cockroaches song, "Another Saturday Night", was reused for the song "Dorothy the Dinosaur".

Promotion and release

At first, the Wiggles filmed two music videos with the Australian Broadcasting Corporation (ABC) to promote their first album; they also decided to create a self-produced, forty-minute long video version of their album. Finances were limited, so there was no post-production editing of the video project. They used Field's nieces and nephews as additional cast, and hired the band's girlfriends to perform in character costumes. Cook's wife made their first costumes.[11] They used two cameras and visually checked the performance of each song; that way, according to Paul Field, it took them less time to complete a forty-minute video than it took other production companies to complete a three-minute music video.[7] Jeremy Fabinyi, the Cockroaches' former manager, became the Wiggles' first manager. Using connections gained during the Cockroaches years, he negotiated with the ABC to air their TV show and to help them promote their first recording.[16]

Field distributed copies of their album to his young students to test out the effect of the group's music on children; one child's mother returned it the next day because her child would not stop listening to it, having listened to the track Dorothy the Dinosaur 40 times.[17] The album sold 100,000 copies in 1991.[11] Australian Record Industry Association (ARIA) awarded the band members, including Wilcher, with gold and platinum certificates for the album.[3][4][10]

In 1992, Wilcher left the Wiggles and submitted a letter of resignation because he wanted to continue composing classical music.[3] According to fellow member, Greg Page, "Archie had considerable input into the arrangement of some songs on that first CD ... he is quite a musical genius ... his creative flair suited those kinds of pieces ... However ... the musical direction of the Wiggles was changing".[18]

Track listing

No.TitleMusicLength
1."Get Ready to Wiggle"Murray Cook, Jeff Fatt, Anthony Field, Greg Page, John Field1:57
2."Rock-a-Bye Your Bear"Cook, Fatt, Field, Page1:46
3."Dorothy the Dinosaur"Cook, Fatt, Field, Page, John Field2:23
4."Mischief the Monkey"Phillip Wilcher0:44
5."Lavender's Blue"Trad1:32
6."Glub Glub Train" (spoken)Cook, Fatt, Field, Page0:19
7."Archie's Theme"Wilcher0:20
8."Montezuma"Trad0:32
9."Archie's Theme" (reprise)Wilcher0:20
10."Ducky Ducky" (spoken)Cook, Fatt, Field, Page0:15
11."A Froggy He Would A-Wooing Go"Trad3:36
12."Maranoa Lullaby"Trad2:04
13."Stars" (spoken)Cook, Fatt, Field, Page, Wilcher0:09
14."Star Lullaby"Trad1:46
15."Okki Tokki Unga"Trad1:55
16."O Epoe Tooki Tooki"Trad1:37
17."Vini Vini"Michael Goldsen, Leon Pober, Yves Rocher[19]0:58
18."Spot the Dalmatian"Cook, Fatt, Field, Page, John Field2:24
19."Johnny Works With One Hammer"Trad0:49
20."The Man on the Moon" (spoken)Wilcher0:21
21."This Old Man"Trad2:32
22."Suo Gan"Trad1:43
23."Wind" (spoken)Cook, Fatt, Field, Page0:17
24."Joseph John's Lullaby"Brahms/Wilcher (Arr. Wilcher)1:21
25."Desert Dreaming" (spoken)Cook, Fatt, Field, Page, Wilcher1:52
26."Get Ready to Wiggle" (reprise)Cook, Fatt, Field, Page, John Field1:57

Release history

The album was released in 1991 in CD and cassette formats:

Personnel

Credits from The Wiggles album booklet.

The Wiggles

Production

  • Anthony Field – producer
  • Steve Pomfrett – engineer

References

  1. ↑ Munro, Catharine (22 May 2005). "The Wiggly way". The Age. Melbourne. Retrieved 12 July 2021.
  2. 1 2 3 Museum of Applied Arts & Sciences. "'The Wiggles' audio cassette by The Wiggles". Museum of Applied Arts & Sciences, Australia. Retrieved 12 July 2021.
  3. 1 2 3 4 5 6 Dow, Steve (24 February 2003). "A life less wiggly". Sydney Morning Herald. Retrieved 8 November 2012.
  4. 1 2 March, Nick (22 April 2011). "Becoming the top preschool band was no child's play for Wiggles". The National. Abu Dhabi. Retrieved 9 November 2012.
  5. ↑ Stapleton, John (7 June 2008). "Death of little girl gave birth to the Wiggles". The Australian. Retrieved 24 June 2008.
  6. ↑ "Band of brothers: also-rans". The Age. 13 June 2004. Retrieved 15 May 2013.
  7. 1 2 Field, Paul (8 November 2006). "It's a Wiggly Wiggly World" (PDF). Currency House. Archived from the original (PDF) on 22 March 2015. Retrieved 18 March 2009.
  8. ↑ (Field 2012, p. 28)
  9. ↑ "Enough Rope with Andrew Denton, Episode 15, The Wiggles". ABC TV Online. 23 June 2003. Retrieved 23 January 2007.
  10. 1 2 Sams, Christine. (1 August 2005). "The Fifth Wiggle speaks out". The Sydney Morning Herald. Retrieved 2007-01-22.
  11. 1 2 3 4 Eng, Dinah (23 January 2010). "How The Wiggles became an empire". CNNMoney.com. Retrieved 20 May 2012.
  12. ↑ Scott McNulty (25 August 2009). The Wiggles: An interview (YouTube clip). Retrieved 20 May 2012.
  13. ↑ "'Summer Dance' at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 18 May 2013.
  14. ↑ Wilcher, Phillip. "Biography". Phillip Wilcher Official Website. Retrieved 8 November 2012.
  15. ↑ "'Archie's Theme' at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 18 May 2013.
  16. ↑ (Field 2012, p. 32)
  17. ↑ Tabakoff, Jenny (1 October 2002). "Wake up, Aunty!". The Sydney Morning Herald. Retrieved 20 May 2012.
  18. ↑ Page, Greg; Cadigan, Neil (2011). Now and Then: Greg Page. HarperCollins. ISBN 978-0-73049-729-5. Retrieved 18 May 2013.
  19. ↑ https://www.ascap.com/repertory#/ace/search/workID/820007532

Notes

  1. ↑ According to Field, the four original members of the Wiggles, with Page's "mellifluous voice" and "perfect children's music instrument", Cook's knowledge of child development, Fatt's "incredible musicianship and gentle persona" that appealed to children, and Field's energy, balanced each other (Field, p. 44).
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