| Their Eyes Were Watching God | |
|---|---|
.jpg.webp) DVD cover | |
| Genre | Drama |
| Based on | Their Eyes Were Watching God by Zora Neale Hurston |
| Written by |
|
| Directed by | Darnell Martin |
| Presented by | Oprah Winfrey |
| Starring | |
| Music by | Terence Blanchard |
| Country of origin | United States |
| Original language | English |
| Production | |
| Executive producers |
|
| Producer | Matthew Carlisle |
| Cinematography | Checco Varese |
| Editor | Peter C. Frank |
| Running time | 113 minutes |
| Production companies | |
| Original release | |
| Network | ABC |
| Release |
|
Their Eyes Were Watching God is a 2005 American television drama film based upon Zora Neale Hurston's 1937 novel of the same name. The film was directed by Darnell Martin, written by Suzan-Lori Parks, Misan Sagay, and Bobby Smith Jr., and produced by Oprah Winfrey's Harpo Productions (Winfrey served as the host for the broadcast). It stars Halle Berry, Ruben Santiago-Hudson, and Michael Ealy, and aired on ABC on March 6, 2005.
Plot
The plot of "Their Eyes Were Watching God" revolves around the life of Janie Crawford, an African-American woman living in the early 20th century. The story follows Janie's journey of self-discovery and her search for independence and love.
Janie's story is narrated through a frame narrative, where her friend Pheoby Watson listens to Janie's account and reflects upon it. Janie tells her life story, starting with her childhood and early experiences growing up in rural Florida. She describes her first two marriages, which were arranged by others and didn't bring her the fulfillment she sought.
However, it is her third marriage to Tea Cake, a younger man, that becomes the central focus of the story. Janie experiences true love and a deep connection with Tea Cake. They face challenges and obstacles together, including a hurricane that tests their relationship and forces them to confront their vulnerabilities.
Through her relationship with Tea Cake, Janie gains a sense of empowerment, self-expression, and freedom. However, their happiness is short-lived as Tea Cake becomes ill and Janie is forced to make difficult decisions.
The novel explores themes of love, gender roles, racial identity, and the quest for personal fulfillment. It portrays the experiences of African-American women in the early 20th century, highlighting the struggles they faced in a society marked by racism and gender inequality.
Cast
- Halle Berry as Janie Crawford
- Michael Ealy as Tea Cake
- Ruben Santiago-Hudson as Joe Starks
- Nicki Micheaux as Phoebe Watson
- Lorraine Toussaint as Pearl Stone
- Ruby Dee as Nanny Marnie
- Terrence Howard as Amos Hicks
- Gabriel Casseus as Sam Watson
- Artel Kayàru as Motor Boat
- Jensen Atwood as Johnny Taylor
- Kevin Daniels as Liege Moss
- Wayne Duvall as Dr. Gordon
- Mel Winkler as Logan Killicks
- Maura Gale as Lula Moss
- Henry Brown as Water Stone
Reception
Catering to Winfrey's expected TV audience, the film largely avoided the more controversial themes of race, gender, and power that Hurston explored in her novel. Karen Valby of Entertainment Weekly comments, "While the book chews on meaty questions of race and identity, the movie largely resigns itself to the realm of sudsy romance."[1] New York Times critic Virginia Heffernan said, "[T]he film is less a literary tribute than a visual fix of Harlequin Romance: Black Southern Series— all sensual soft-core scenes and contemporary, accessible language."[2]
Sharon L. Jones, an English professor at Wright State University, agreed that the film was quite different from the novel. She said that the novel emphasizes Janie's life journey with others who are part of her establishing an identity, and she is sometimes overpowered by them. Jones says the film leaves out many important concepts that help convey the central theme. She says that Harpo's production was thought to address a more general idea of love to reach a broad range of audience, believed to be the majority-white females of Winfrey's TV audience.[3]
Awards and nominations
References
- ↑ Valby, Karen (November 25, 2005). "Their Eyes Were Watching God [review]". Entertainment Weekly. Meredith Corporation. Retrieved October 15, 2021.
- ↑ Heffernan, Virginia (March 4, 2005). "A Woman on a Quest, via Hurston and Oprah". The New York Times. eISSN 1553-8095. ISSN 0362-4331. Archived from the original on July 26, 2011. Retrieved October 15, 2021.
- ↑ Jones, Sharon Lynette (2009). Critical Companion to Zora Neale Hurston: A Literary Reference to Her Life and Work. Infobase Publishing. pp. 218ff. ISBN 978-0816068852. Retrieved October 14, 2021.
Bibliography
- Cotten, Trystan T.; Springer, Kimberly, eds. (2010). Stories of Oprah: The Oprahfication of American Culture. Jackson, Mississippi: University Press of Mississippi. ISBN 9781604734089. Retrieved October 16, 2010.
- Felder, Deborah G. (2005). A Bookshelf of Our Own: Works that Changed Women's Lives. Citadel Press. ISBN 9780806526140. Retrieved October 16, 2010.
- Heffernan, Virginia (March 4, 2005). "A Woman on a Quest, via Hurston and Oprah". The New York Times. eISSN 1553-8095. ISSN 0362-4331. Archived from the original on July 26, 2011. Retrieved October 15, 2021.
- Iverem, Esther (March 4, 2005). "Reviews of "Their Eyes Were Watching God," "Born into Brothels" and Spike Lee's "Sucker-Free City." Plus, in Brief, "Hitch" and "Diary of a Mad Black Woman"". SeeingBlack.com. Washington, D.C.: Seeing Black, Inc. Archived from the original on July 16, 2011. Retrieved October 15, 2021.
{{cite web}}: CS1 maint: unfit URL (link) - Jones, Sharon Lynette (2009). Critical Companion to Zora Neale Hurston: A Literary Reference to Her Life and Work. Infobase Publishing. pp. 218ff. ISBN 978-0816068852. Retrieved October 14, 2021.
- Valby, Karen (November 25, 2005). "Their Eyes Were Watching God [review]". Entertainment Weekly. Meredith Corporation. Retrieved October 15, 2021.