Thiruvathirakali is a unique group dance of women in Kerala.[1] The dance is performed by women in small groups, both as part of and apart from religious rituals.[2][3][4] Generally on Onam and Thiruvathira day in the month of Dhanumas, women perform this art form by singing the praises of Shiva Parvati in Shiva temples etc. Tiruvathirakali is considered a must especially for women who observe Thiruvathira vradam.[5][6] This art form is also known as Kaikottikali and Kummikali with slight variations. This dance is believed to bring a long and auspicious married life and marriage of choice. This play is performed at night on Thiruvathira day. The first Thiruvathira after the marriage of girls is called Poothiruvathira.

Ceremonies and Rituals

In ancient times, this dance was performed for 28 days starting from Thiruvathira day till Thiruvathira in the next month. In some places, an 11-day program is performed during the month of Dhanum.

Ceremonies begin with the eating of a special meal called Ettangadi on Makairyam day, the day before Thiruvathira day. The ingredients of Ettangadi are sorghum, yam, kachil, berry, yam, lentil, sugar, and honey. It is eaten the night before. But this ceremony is not observed today. Drink water and charcoal water.[7]

Dasapushkas are collected in front of the house during the day. Thiruvathirakali starts after sunset. After Thiruvathira nakshatramudhi at midnight, the dancers sing devotional songs and bring dasa flowers along with Ashtamangalyam holding the lamp to the house. Later they wear these flowers in their hair. This is called half-breeding. The flowers are lit by singing songs praising the deities of each flower. Crows are also seen.[8]

The girls dance in a circle around a lit candle to the beat of the song, clapping each other's hands. Sarees and blouses are the attire used for Thiruvathirakali. A group of girls playing Thiruvathira will see a heroine. The heroine sings the first line and the ensemble responds to the same line. The group members step and clap their hands to the rhythm of the song. Lasyabhava is a shadow throughout the game. The steps in the game performed during the pooja are very simple. This makes it easy for even the uninitiated to participate in the game.

References

  1. ↑ Menon, A. Sreedhara (September 19, 1978). "Cultural Heritage of Kerala: An Introduction". East-West Publications – via Google Books.
  2. ↑ Menon, Dr Venugopal K. (November 24, 2015). My Mother Called Me Unni: A Doctor's Tale of Migration. Outskirts Press. ISBN 9781478761716 – via Google Books.
  3. ↑ Authors, Multiple; Nampoothiri, Hareesh N.; Sreenarayanan, Meera; Priyanka, B.; Pisharody, Sandra; Sethunath, U. N.; Nampoothiry, Sreedevi N. (2020-06-01). "Artograph Vol 02 Iss 02 (2020 Mar-Apr) - Multiple Authors, Hareesh N Nampoothiri, Meera Sreenarayanan, Priyanka B, Sandra Pisharody, Sethunath UN, Sreedevi N Nampoothiry, NEWNMEDIA™ - Google Books". Retrieved 2022-09-19.
  4. ↑ Lukose, Ritty A. (November 13, 2009). Liberalization's Children: Gender, Youth, and Consumer Citizenship in Globalizing India. Duke University Press. ISBN 978-0822391241 – via Google Books.
  5. ↑ Ahmed, Nakhat Yasmin (July 31, 2019). Paru Remembers: Memories of life in a Tharavad. Notion Press. ISBN 9781645875635 – via Google Books.
  6. ↑ Guides, Rough (November 1, 2010). The Rough Guide to Kerala. Rough Guides UK. ISBN 9781405388047 – via Google Books.
  7. ↑ Mādhavavāriyar, Māṭaśśēri (September 19, 1968). "Nammuṭe pāṭṭukaḷ". Sāhityapr̲avartaka Sahakaraṇasaṅghaṃ – via Google Books.
  8. ↑ Marar, S. K. (September 19, 1962). "ഇലത്താളവും നിലവിളക്കും" – via Google Books.
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