Tonia Navar (1886–1959), also known as Melle Tonia Navar and Antoinette Lauzur,[1] was a French actress and playwright.

Major roles

She performed in 1927 at the Comédie Francaise in Saint-Georges Bouhélier's new play Les Flambeaux de la Noel.[2] In the summer of 1930, she played her first major role at the Comédie Francaise, Yanetta in Eugène Brieux's play La robe rouge (1900).[3] In the late 1930s, she often played the title role in Jean Racine's Phèdre.[4] She also had the title role in Racine's Britannicus[5] and in Baisers perdus in 1932.[6]

Navar also performed in films, among them The Road Is Fine (1930), directed by Robert Florey, and The Foreigner (1931), directed by Gaston Ravel.

Playwright

Navar wrote Un homme est venu and L'amour en coulisses. She is mentioned as an important French woman playwright in a study published in 2001.[7]

Teaching

In 1939, a journal reported that Navar's acting course, called "Cours Molière" was growing and had to move to larger facilities.[8] Navar's Parisian acting school prepared students for stage and film careers.[9] Jacqueline Maillan was one of her students.[10]

Personal life

She was befriended with the courtesan, performer and later princess, Liane de Pougy, with whom she exhanged letters in the 1930s.[11] Pougy mentions her several times in her memoirs.[12]

Parisian society columns reported on Navar as a celebrity in 1924.[13] In 1930, newspapers reported on a lawsuit that Navar had filed against a British film company which allegedly caused her to gain weight, become less attractive, and damage her voice in the course of a film production.[14]

Little is known of her political convictions or activities during the Second World Ward, yet a prominent advertisement in a film magazine devoted mainly to German stars suggests that she was not considered politically dangerous to the Vichy regime.[9]

References

  1. ↑ International Encyclopedia of Pseudonyms. Berlin, New York: De Gruyter. 2010.
  2. ↑ Bourgeois, Maurice (September 19, 1926). "On foreign stages". New York Times. pp. X2.
  3. ↑ "Nos échos". Paris qui chante. August 1, 1930. p. 2.
  4. ↑ "Antoinette Lauzur, dite Tonia Navar: Lot 373". Ader Auctions. Archived from the original on December 11, 2022.
  5. ↑ "Tonia Navar (Britannicus); Jean Racine. Carte Postale".
  6. ↑ "Baisers perdus". Bibliotheque nationale. April 11, 1932.
  7. ↑ Beach, Cecilia (2001). "Marie Lenéru and the Theater of Ideas". Women in French Studies. 9. 74n5.
  8. ↑ "Nos échos". Paris qui chante. March 1, 1939. p. 22.
  9. 1 2 "Advertisement". Ciné-mondial. May 29, 1942. pp. 13–14.
  10. ↑ "Biographie de Jacqueline Maillan". notrecinema.com (in French). Retrieved December 11, 2022.
  11. ↑ "Set of 7 letters addressed to Liane de Pougy". Le manuscrit francais. Retrieved December 11, 2022.
  12. ↑ Pougy, Liane de (2002). My blue notebooks. New York: J.P. Tarcher/Putnam. 46 and 71. ISBN 1-58542-156-1. OCLC 50079742.
  13. ↑ "Les Indiscretions de l'homme qui ecoute et qui voit". Paris qui chante. October 1, 1924. p. 4.
  14. ↑ "Film Ruined Beauty, Says French Star". Indianapolis Times. July 4, 1930. p. 9.
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