Vassily Brandt | |
---|---|
Birth name | Karl Wilhelm Brandt |
Born | 1869 Coburg, Saxe-Coburg and Gotha |
Died | 2 February 1923 53–54) Saratov, Saratov Oblast, Russia | (aged
Genres | Classical |
Occupation(s) | Musician, composer, conductor, teacher |
Instrument(s) | Cornet, trumpet, piano |
Years active | 1887-1923 |
Karl Wilhelm (Vasily Georgievich) Brandt (Willy Brandt) (1869 – 2 February 1923) was a German-Russian trumpeter, pedagogue, and composer. He is the founder of the Russian trumpet school.
Life
Karl Wilhelm Brandt was born and educated in Coburg, Saxe-Coburg and Gotha, now part of Germany. Between 1887 and 1890, he worked alternatively in the spa orchestra in Bad Oeynhausen and in Helsinki. He was active in the Helsinki Philharmonic Society, now the Helsinki Philharmonic Orchestra, under Robert Kajanus.[1] In 1890, he changed his name to Vassily Georgyevich and moved to Moscow, Russia.[2]
The opening of the Saratov Conservatory in September 1912 drew Vassily Brandt to Saratov for the remainder of his life. He spoke Russian quite poorly, often relying on demonstration for musical instruction. He died on 2 February 1923, purportedly as the result of a vaccination.[1]
Career
Vassily Brandt became principal trumpet of the Bolshoi Theatre in 1890 and became first cornet in 1903. He succeeded Theodor Richter (1826–1901) as the second ever trumpet professor of the Moscow Conservatory in 1900, and also taught band orchestration there.[3] In Moscow, he was part of the Russian Musical Society and toured as part of a brass quartet with members of the Bolshoi Theatre. He conducted for the Alexandrovsky Military College military band.
Brandt joined the faculty of the newly established Saratov Conservatory in 1912 as the first professor of trumpet.[3] His fellow brass quartet member Ivan Lipaev made a similar move. There, he managed and conducted the conservatory orchestra in addition to playing as the principal trumpet. He taught using the Arban method and his own compositions.
Influence
Following the death of Brandt, Konstantin Listov composed Funeral Fanfare for his departed teacher. Brandt's 34 Orchestral Etudes (34 Studies for Trumpet) is an important study material for modern trumpet players. His Last Etudes (The Last Studies) serve a similar purpose. His two Concert Pieces (Konzertstücke Opp. 11–12) for trumpet and piano are also widely performed today. Country Pictures is a notable quartet for trumpets or horns from him. Several of his compositions and etude books are published by International Music Company.
Among his students are Pyotr Lyamin (1884–1968) who succeeded Brandt as a professor at the Saratov Conservatory; Pavel Klochkov (1884–1966) who was an early Russian recording artist; Vladimir Drucker (1898–1974) who was a principal trumpet with the Los Angeles Philharmonic; and Mikhail Tabakov (1877–1956) who became professor at the Moscow Conservatory.[2]
No. | Tempo Marking | Written Keys | Meter | Subdivision |
---|---|---|---|---|
1 | Allegro alla marcia = 116 | C major | 2 4 | Sixteenth note |
2 | Marziale = 124 | B♭ major | Sixteenth note | |
3 | Allegretto = 108 | C major | 3 4 | Sixteenth note |
4 | Allegro ma non troppo = 100 | C major | Sixteenth note | |
5 | Allegro = 126 | F major | 3 4 | Sixteenth note |
6 | Tempo di Valse . = 60 | F major | 3 4 | Eighth note |
7 | Moderato = 116 | C minor | 5 4 | Sixteenth note |
8 | Allegro moderato = 120 | E♭ major | Sixteenth note | |
9 | = 116 | A minor | 7 4 | Sixteenth note |
10 | Tempo di Valse . = 72 | F major | 3 4 | Eighth note |
11 | Maestoso = 84 | C major | 3 4 | Thirty-second note |
12 | A la Polacca = 72 | G major | 3 4 | Thirty-second note |
13 | Marziale = 120 | E minor | Sixteenth note | |
14 | Maestoso = 108 | C major | Thirty-second note and Eighth note triplet | |
15 | Scherzando = 76 | A major | 3 8 | Sixteenth note |
16 | Allegro grazioso = 78 | C minor | 3 8 | Sixteenth note |
17 | Scherzando . = 126 | F major | 6 8 | Eighth note |
18 | Allegro = 116 | F major | 6 8 | Eighth note |
19 | Allegro à la chasse . = 112 | E major | 6 8 | Sixteenth note |
20 | Allegro . = 132 | D minor | 6 8 | Sixteenth note |
21 | Allegro grazioso . = 112 | F major | 6 8 | Sixteenth note |
22 | Allegro spiritoso . = 120 | F major and G minor | 12 8 | Sixteenth note |
23 | Animato alla Polacca . = 96 | G major | 9 8 | Sixteenth note |
24 | Moderato . = 90 | F major | 6 8 | Sixteenth note |
25 | Allegretto . = 80 | G major and C major | 6 8 | Sixteenth note |
26 | Presto = 136 | E minor and F major | 3 4 | Sixteenth note |
27 | Vivo vivace (Presto) = 100 | A minor | 2 4 | Sixteenth note and Eighth note triplet alternation |
28 | = 104 | F major | 2 4 | Sixteenth note triplet |
29 | Adagio Cantabile = 66 | C major and A♭ major | Quarter note and Eighth note triplet | |
30 | Scherzando . = 72 | F major | 3 8 | Sixteenth note, Thirty-second note, and Eighth note quadruplet |
31 | Scherzo . = 90 | G minor | 3 8 | Sixteenth note |
32 | Allegro con moto = 96 | F major and D♭ major | Sixteenth note | |
33 | Moderato = 150 | G minor | 12 8 | Sixteenth note |
34 | = 144 and Animato = 160 | F major | 6 8 | Thirty-second note |
References
- 1 2 Tarr, Edward H. "Willy (Vassily Georgyevich) Brandt". Brandt Brass Ensemble. Retrieved 14 November 2022.
- 1 2 Walker, Brian (2019). The Thirty-Four Orchestral Etudes of Vassily Brandt (booklet). Hattiesburg, MS: International Trumpet Guild. pp. 3–4. Retrieved 14 November 2022.
- 1 2 Akhmadullin, Iskander (May 2003). "Historical Perspective". The Russian Trumpet Sonata: A Study of Selected Representative Sonatas for Trumpet and Piano with a Historical Overview of the Russian Trumpet School Together with Three Recitals of Selected Works by Viviani, Chaynes, Böhme, and Others (PDF) (DMA). University of North Texas. Retrieved 14 November 2022.