Viveca Vázquez is a Puerto Rican choreographer, dancer, performance artist, and professor of contemporary dance at the University of Puerto Rico. In 1979, she co-founded Pisotón, the first experimental dance group in Puerto Rico and, shortly after, Taller de Otra Cosa, of which she became the first director. Vázquez has produced and performed experimental dance events in countries including the United States, Mexico, Venezuela, and Argentina. In 2013, Puerto Rico Museum of Contemporary Art hosted a 30-year retrospective of Vázquez's work.

Biography

Vázquez trained at New York University, where she explored the "geographical schizophrenia of many Puerto Rican New Yorkers by dividing her time between the island"[1] and the United States. In 1979, she co-founded Pisotón, the first experimental dance group of Puerto Rico and, shortly after, Taller de Otra Cosa, of which she became the first director. Through the Taller de Otra Cosa company she presented her choreographic work and produced events such as Rompeforma (co-produced and co-directed with Merián Soto), a key festival in the development of the experimental dance scene in Puerto Rico. Her work examines "human relationships" [2] and has been noted for using "fragmented movement in conceptually risky ways."[3]

Since 1984, Vázquez has produced and performed experimental dance events in the United States, Mexico, Venezuela, and Argentina, among other places. As a teacher she has developed a pedagogical model based on body conscience and improvisation.[4]

In 2013, Puerto Rico Museum of Contemporary Art hosted a 30-year retrospective of Vázquez's work entitled Choreography of Error: CONDUCT.[5] For the exhibitions concluding performance, This is NOT a Viveca Vásquez piece/ Esto NO es una pieza de Viveca Vázquez, Vásquez engaged with elements from her prior work in a guided choreographed work performed throughout the museum.[6]

In 2018, Vásquez participated as a mentor in a Northwestern University initiative to rebuild arts programs in Puerto Rico following Hurricane Maria, alongside other Puerto Rican artists including Awilda Sterling-Duprey. The initiative was funded by a $500,000 grant from the Andrew W. Mellon Foundation.[7][8]

List of works

  • Choreography of Error: CONDUCT (2013)
  • Mascando Inglés (2007)
  • Maroma Nada That Ver (Composiciones Escénicas Sobre el Yo) (2006)
  • Plagio (2004)
  • ¡Uy! Opera of Terror (2003)
  • The Película Extranjera (1999)
  • Riversa (1997)
  • Miss Puerto Rico o The Isla That Replaces (1996)
  • Kan't Translate / Tradúcelo (1992)
  • Malajuste Sui-We (1990)
  • Gente o Agent Tower of Fuerza (1988)[9]

References

  1. ↑ Banes, Sally (2011). Writing Dancing in the Age of Postmodernism. Wesleyan University Press. p. 329.
  2. ↑ Dunning, Jennifer (1988-02-21). "CRITICS CHOICES; Dance". The New York Times. ISSN 0362-4331. Retrieved 2019-03-02.
  3. ↑ Sloat, Susanna (2010-08-29). Making Caribbean Dance: Continuity and Creativity in Island Cultures. University Press of Florida. doi:10.5744/florida/9780813034676.001.0001. ISBN 9780813034676.
  4. ↑ "Viveca Vázquez". hemisphericinstitute.org (in French). Archived from the original on 2017-06-30. Retrieved 2017-03-12.
  5. ↑ Curating live arts : critical perspectives, essays, and conversations on theory and practice. Davida, Dena,, Gabriels, Jane,, Hudon, Veronique,, Pronovost, Marc. New York. 2018-11-29. ISBN 9781785339639. OCLC 1080250667.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  6. ↑ "Esto NO es una pieza de viveca vázquez / This is NOT a viveca vázquez ... - Pepe Álvarez". cargocollective.com. Retrieved 2019-03-02.
  7. ↑ "Northwestern University Initiative to Help Relaunch Puerto Rican Arts Programs Following Devastation from Hurricanes". www.artforum.com. Retrieved 2019-03-02.
  8. ↑ "Creating stability in Puerto Rican arts". news.northwestern.edu. Retrieved 2019-03-02.
  9. ↑ "Complete List of Works by Viveca Vázquez". hemisphericinstitute.org (in French). Retrieved 2017-03-12.
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