Wait a Minim! (1962–68) was a musical revue conceived by Leon Gluckman, with original songs by Jeremy Taylor, and a collection of international folk music arranged by Andrew Tracey.[1] Many authentic instruments were played to accompany dances and pantomimes satirizing the national characteristics and political and social eccentricities of many different countries. The only spoken words were when the cast was introduced, and in the South African scene where apartheid was ridiculed.

The revue originated in South Africa[2] and toured Southern Rhodesia (now Zimbabwe), and London before opening on Broadway in New York City.

South African debut

The show opened in Johannesburg on January 17, 1962, at the Intimate Theatre.

London production

After more than two years in Africa, the show moved to London, where it opened at the Fortune Theatre on April 9, 1964.[3]

Devised and directed by Leon Gluckman Musical arrangements and direction by Andrew Tracey Costumes by Heather MacDonald-Rouse Choreography by Frank Staff and Kendrew Lascelles Lighting and design supervised by Klaus Holm Cast in London

Broadway production

After more than two years in London, the show moved to Broadway, where it opened at the John Golden Theatre on 7 March 1966, and ran for 456 performances until 15 April 1967. The U.S. cast included Sarah Atkinson, Kendrew Lascelles, Michel Martel, April Olrich, Nigel Pegram, Andrew Tracey, Paul Tracey, and Dana Valery. It was directed by Leon Gluckman and choreographed by Frank Staff and Kendrew Lascelles. Scenic design was by Gluckman and Frank Rembach, costume design by Heather Macdonald-Rouse, and lighting design by Rembach and Gluckman. Guitar, drums and other instruments were played by Andrew Tracey, Paul Tracey and Nigel Pegram, and trumpet by Kendrew Lascelles. Other members of the cast played percussion instruments. Olrich and Pegram were married for 46 years after meeting in this production.

Songs on cast recordings

London recording

  • This is the Land (1) (Ndinosara Nani? - Hoe Ry Die Boere - Chuzi Mama Gwabi Gwabi - Asubuhi Sana - Jikel' Emaweni)
  • Foyo
  • The Crow
  • Lalirette
  • Last Summer
  • Hammer Song
  • Black-White Calypso
  • Opening Knight
  • Table Bay
  • Ag Pleez Deddy
  • This is the Land (2)
  • North of the 'Popo'

Broadway recording

  • Amasalela
  • Ndinosara Nani?
  • Jikele Maweni
  • Black-White Calypso
  • I Know Where I'm Going
  • I Gave My Love a Cherry
  • Chuzi Mama Gwabi Gwabi
  • Foyo
  • London Talking Blues
  • Ayama
  • The Gumboot Dance
  • Hammer Song
  • Table Bay
  • A Piece of Ground
  • Dirty Old Town
  • Sir Oswald Sodde
  • Johnny Solier
  • Skalo-Zwi
  • Amasalela

South African recording

  • Hush Little Baby
  • I Came Home
  • Jo'burg Talking Blues
  • I Know Where I'm Going
  • I Gave My Love A Cherry
  • Black-White Calypso
  • Little Sir Hugh
  • The Cruel Youth
  • The Bold Logger
  • The Strangest Dream
  • Confession
  • The Ballad Of The Southern Suburbs
  • Hammer Song
  • Single Girl
  • Deutsches Weinlied...Watschplattltanz
  • Ayama
  • This Is South Africa
  • Amasalela

References

Citations

  1. ↑ Trewhela 2009, p. 94.
  2. ↑ Harner, Katie (10 March 2007). "Analog Memories in a Digital World". The New York Times. Retrieved 13 August 2015.
  3. ↑ Overview.

Sources

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