Works

The following is a substantially incomplete list of the works of Edith Maryon.

ImageTitle/DescriptionDateDimensionsLocationComments
Modelled head from life1898Displayed at the Camden School of Art, where it won a prize.[1] Maryon's brother Herbert Maryon also won a prize, for a wrought metal casket.[1]
Panel for screen1899Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[2]
Religion1900Sketch model of a figure for a public building. Exhibited at the Royal Academy of Arts in 1900, with the catalogue quoting Ephesians 6:11, "Put on the whole armour of God."[3][4]
Model of a figure from the nude1900Displayed at the Victoria and Albert Museum as part of the 1900 National Competition of Schools of Art and Art Classes, where it won a gold medal.[5]
Black and white photograph of a plaster relief by Edith MaryonPlaster relief1900Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where Maryon (possibly for this piece) won an award offered by The Artist for an adaptation of the human figure to some applied art object.[6]
Black and white photograph of Edith Maryon's sculpture A Sketch in ClayA Sketch in Clay1900Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where it won an award for modelling offered by Édouard Lantéri.[7]
May Morning1901Relief, portion of a fireplace. Exhibited at the Royal Academy of Arts in 1901, with the catalogue quoting William Wordsworth, "When youths and maids At peep of dawn would rise, And wander forth, in forest glades Thy birth to solemnize."[8][9][10]
Portrait medallion1901Metal in relief. Exhibited at the Royal Academy of Arts in 1901.[11][9]
Joan d'Arc1901Relief. Exhibited at the 1901 Glasgow International Exhibition.[12][13]
Religion1901Displayed at the Leeds City Art Gallery for the 1901 spring exhibition, priced at £15 15s.[4]
Auf Weidersehn1902Displayed at the Leeds City Art Gallery for the 1902 spring exhibition, priced at £12 12s.[14]
Cupid and Psyche1902Clasp, silver enamel. Exhibited at the Royal Academy of Arts in 1902.[15][9]
Francis, son of Sir Rennell and Lady Rodd1902Medallion. Exhibited at the Royal Academy of Arts in 1902.[16][9]
Miss Mildred Maryon1903Bust. Exhibited at the Royal Academy of Arts in 1903.[17][9]
Mother and child1903Group. Exhibited at the Royal Academy of Arts in 1903.[17][18][9]
Rev. Canon Rawnsley1903Keswick Museum[19]Bronze relief. Exhibited at the Royal Academy of Arts in 1903.[17][9]
Black and white photograph of Edith Maryon's sculpture Evelyn and Gloria, children of Sir Rennell and Lady Rodd"Listen!" Evelyn and Gloria, children of Sir Rennell and Lady Rodd1903Exhibited at the Royal Academy of Arts in 1903,[20][21] and again in 1904 under the name Evelyn and Gloria: children of Sir Rennell and Lady Rodd.[22][23][24][9]
Black and white photograph of Edith Maryon's sculpture The Messenger of DeathThe Messenger of Death1904Exhibited at the Royal Academy of Arts in 1904, with line "One shall be taken, the other left".[25][26][27][9]
Black and white photograph of Edith Maryon's sculpture The Triumph of PeaceThe Triumph of Peace1904[28][29]
Miss Rose Gough, daughter of the Hon. Mrs. Denison1904Marble bust. Exhibited at the Royal Academy of Arts in 1904.[17][9]
Peace and war1905Sketch model for a frieze. Exhibited at the Royal Academy of Arts in 1905.[30]
Black and white photograph of Edith Maryon's sculpture The Pixies' RingThe Pixies' Ring1906Exhibited at the Royal Academy of Arts in 1906.[31][32]
Black and white photograph of Edith Maryon's sculpture A Poet of UmbriaA Poet of Umbria1907[33]
Black and white photograph of Edith Maryon's sculpture The Enchanted GardenThe Enchanted Garden1908Exhibited at the Royal Academy of Arts in 1908 .[34][35]
A future Darwin1908Bust. Exhibited at the Royal Academy of Arts in 1908.[36]
Black and white photograph of Edith Maryon's sculpture The Passing of WinterThe Passing of Winter—Miss Maude Allan as Spring1909[37][38]
Miss Maud Allan, in the "Dance of Anitra"1909Bronze statuette. Exhibited at the Royal Academy of Arts in 1909.[39]
Black and white photograph of Edith Maryon's sculpture To the Witches' RevelsTo the Witches' Revels190937 cm highPrivate collectionPatinated bronze, signed and dated in the cast. Auctioned for £3,400 in 2015.[40][41][42][43]
Psyche190943 cm highPrivate collectionBronze statuette. Exhibited at the Royal Academy of Arts in 1910.[44] Auctioned by Christie's in 1993 with an estimate of £1,000–1,500, but was bought in.[45][46]
Black and white photograph of Edith Maryon's sculpture La danse d'AnitraLa danse d'Anitra1910[47][48]
Black and white photograph of Edith Maryon's sculpture Priestess of IsisPriestess of Isis1911Exhibited at the Royal Academy of Arts in 1911.[49][50]
Black and white photograph of Edith Maryon's sculpture The PriestThe Priest1911[51]
Echo191129.8cm high; 33.7cm wide (plinth)Walker Art GalleryBronze statuette. Exhibited at the Royal Academy of Arts in 1911.[49] Purchased the following year by the Walker Art Gallery.[52]
Black and white photograph of Edith Maryon's sculpture The seeker of Divine wisdomThe seeker of Divine wisdom1912Exhibited at the Royal Academy of Arts in 1912, with the catalogue including the line "The seeker kneels before Wisdom; behind him stand Religion, Knowledge, Purity, Change; on the left side Natural Law or Science, Love, Inspiration or Prayer; seated figures Contemplation or Research."[53][54]
Black and white photograph of Edith Maryon's portrait of Bishop Alfred TuckerPortrait of Bishop Alfred Tucker[55][56]
Colour photograph of a bronze figurine of an infant by Edith MaryonBronze figurine of an infant8 cm highPrivate collectionSold by East Bristol Auctions in February 2019.[57]
Nude relief860mm high; 560mm wide; 35mm deep; 13.6 kgdestroyedPossibly Model of a figure from the nude (1900). Sold on eBay on 11 October 2021 for £111; destroyed by Parcelforce.[58]
Plaster casts of eurythmy figuresPrivate collection[59]

References

  1. 1 2 "Camden School of Art". The Holloway & Hornsey Press. No. 1, 351. Holloway, London. 16 December 1898. p. 5. Retrieved 20 February 2023. Closed access icon
  2. Arts & Crafts Exhibition Catalogue 1899, p. 136.
  3. Royal Academy of Arts 1900, p. 63.
  4. 1 2 "Religion". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 8 March 2020. Free access icon
  5. The Artist National Competition 1900–1901, p. 86.
  6. K. 1900–1901, pp. 193, 195.
  7. K. 1900–1901, pp. 194–195.
  8. Royal Academy of Arts 1901, p. 63.
  9. 1 2 3 4 5 6 7 8 9 10 Graves 1906, p. 208.
  10. Wordsworth, William (1870). "Ode, Composed on May Morning". The Poetical Works of William Wordsworth. Vol. IV. London: E. Moxon, Son, & Co. pp. 272–274. Archived from the original on 14 March 2023. Retrieved 13 March 2020. Open access icon
  11. Royal Academy of Arts 1901, p. 64.
  12. International Exhibition Glasgow Catalogue 1901, p. 113.
  13. "Joan D'Arc". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 8 March 2020. Free access icon
  14. "Auf Weidersehn". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 6 June 2020. Retrieved 8 March 2020. Free access icon
  15. Royal Academy of Arts 1902, p. 54.
  16. Royal Academy of Arts 1902, p. 55.
  17. 1 2 3 4 Royal Academy of Arts 1903, p. 62.
  18. The Magazine of Art 1903, p. 439.
  19. "Decorative Art: Arts and Craft Movement". Keswick Museum. Archived from the original on 14 March 2023. Retrieved 13 March 2023. Free access icon
  20. Royal Academy of Arts 1903, p. 64.
  21. The Magazine of Art 1903, pp. 438–439.
  22. Royal Academy of Arts 1904, p. 61.
  23. Koch 1904, p. 125.
  24. Koch 1908, p. 9.
  25. Royal Academy of Arts 1904, p. 59.
  26. Koch 1904, p. 130.
  27. Koch 1908, p. 14.
  28. Koch 1904, p. 122.
  29. Koch 1908, p. 6.
  30. Royal Academy of Arts 1905, p. 59.
  31. Royal Academy of Arts 1906, p. 58.
  32. Koch 1908, p. 79.
  33. Koch 1908, p. 127.
  34. Royal Academy of Arts 1908, p. 56.
  35. Koch 1908, p. 158.
  36. Royal Academy of Arts 1908, p. 59.
  37. Koch 1909, p. 91.
  38. Koch 1912, p. 11.
  39. Royal Academy of Arts 1909, p. 62.
  40. Koch 1909, p. 94.
  41. Koch 1912, p. 14.
  42. "Louisa Edith Maryon (1872–1924)". Woolley & Wallis. 2015. Archived from the original on 5 July 2019. Retrieved 7 July 2019. Free access icon
  43. Faxneld 2017, pp. 239, 241–242.
  44. Royal Academy of Arts 1910, p. 60.
  45. The Nineteenth Century: The Properties of the late Sir Basil Fraser, 2nd Baronet of Cromarty; Clare, Duchess of Sutherland; and from various sources. London: Christie, Manson & Woods Ltd. 1993. OCLC 171301145.
  46. "Psyche, 1909, by Edith C. Maryon". ArtPrice. Archived from the original on 14 March 2023. Retrieved 20 February 2020.
  47. The Studio 1911, p. 231.
  48. The International Studio 1911, p. 231.
  49. 1 2 Royal Academy of Arts 1911, p. 58.
  50. Koch 1912, p. 70.
  51. Koch 1912, p. 71.
  52. "Echo". Art UK. Retrieved 22 October 2023. Free access icon
  53. Royal Academy of Arts 1912, p. 61.
  54. Koch 1912, p. 115.
  55. Tucker 1908, pp. iii, xv.
  56. Forrer 1930, p. 33.
  57. "Rare Louisa Edith Church Maryon Bronze Figurine of an Infant". The Salesroom. Archived from the original on 21 February 2020. Retrieved 21 February 2020. Free access icon
  58. "Edith Maryon Large Decorative Bas Relief Plaster Sculpture of Nude Male". eBay. 11 October 2021. Archived from the original on 28 November 2021. Retrieved 28 November 2021. Free access icon
  59. "GIPS". Mirum. Archived from the original on 23 December 2022. Retrieved 23 December 2022. Free access icon

Bibliography

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