Zortziko

The zortziko is a dance rhythm that originates in the Basque Country. It is also used as an accompaniment rhythm for vocal melodies, such as "Gernikako arbola", the unofficial anthem of the Basques, composed in 1853 by José María Iparraguirre (Laborde 2001).

The zortziko has a distinctive 5/8 time signature, consisting of three subdivisions of 1, 2, and 2 beats. Some theories hold that it is in 5/4 time, "like the Rueda except that the 2nd and 4th beats are almost always dotted notes" (Kennedy 2006), or that it actually is a double compound meter combining an irregular binary (5/16 divided 2 + 3) and an irregular ternary (8/16 divided 2 + 3 + 3), creating an ostinato pattern of "irregular bichrome" measures, which in Constantin Brăiloiu's terminology is called an aksak rhythm (Laborde 2001).

Despite the zortziko's origins and continued popularity in folk music, some composers have also incorporated it into classical music. These composers include Isaac Albéniz, Charles-Valentin Alkan, Aita Donostia, Jesús Guridi, Gabriel Pierné, Joaquín Turina, Maurice Ravel (in his piano trio as well as in his final song cycle, Don Quichotte à Dulcinée), Pablo de Sarasate, Pablo Sorozábal, and José María Usandizaga.) British composer Michael Finnissy used the zortziko rhythm as the basis for his 2009 orchestral piece Zortziko, commissioned by the Basque National Orchestra.

References

Kennedy, Michael. 2006. "Zortziko". The Oxford Dictionary of Music, second edition, revised. Associate editor Joyce Bourne. Oxford and New York: Oxford University Press. ISBN 9780198614593.
Laborde, Denis. 2001. "Basque Music". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.

References

Further reading