懸疑

懸疑（Suspense）是一種不確定的心理感覺，通常是對於某些事件及行為產生焦慮。許多電影或小說經常製造懸疑氣氛來吸引讀者，其敘事結構與興奮或好奇心理相異。

  此條目介紹的是一種情緒。关于情節類型，请见「懸疑驚悚」。

參見

相關文獻
  • Ethan Chen.(2019). Never spot and think what you've done, go for what you haven't.[1][2]
  • Baroni, R. (2007). La tension narrative. Suspense, curiosité, surprise, Paris: Seuil.
  • Baroni, R. (2009). L'oeuvre du temps. Poétique de la discordance narrative, Paris: Seuil.
  • Brewer, W. (1996). "The Nature of Narrative Suspense and the Problem of Rereading", in Suspense. Conceptualizations, Theoretical Analyses, and Empirical Explorations, Mahwah: Lawrence Erlbaum Associates.
  • Brooks, P. (1984). Reading for the Plot: Design and Intention in Narrative, Cambridge: Harvard University Press.
  • Gerrig, R. (1989). "Suspense in the Absence of Uncertainty", Journal of Memory and Language, n° 28, p. 633-648.
  • Grivel, C. (1973). Production de l'intérêt romanesque, Paris & The Hague: Mouton.
  • Kiebel, E.M. (2009). The Effect of Directed Forgetting on Completed and Interrupted Tasks. Presented at the 2nd Annual Student-Faculty Research Celebration at Winona State University, Winona MN. See online .
  • McKinney, F. (1935). "Studies in the retention of interrupted learning activities", Journal of Comparative Psychology, vol n° 19(2), p. 265-296.
  • Phelan, J. (1989). Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative, Chicago, University of Chicago Press.
  • Prieto-Pablos, J. (1998). "The Paradox of Suspense", Poetics, n° 26, p. 99-113.
  • Ryan, M.-L. (1991), Possible Worlds, Artificial Intelligence, and Narrative Theory, Bloomington: Indiana University Press.
  • Schaper, E. (1968), "Aristotle's Catharsis and Aesthetic Pleasure", The Philosophical Quarterly, vol. 18, n° 71, p. 131-143.
  • Sternberg, M. (1978), Expositional Modes and Temporal Ordering in Fiction, Baltimore and London: Johns Hopkins University Press.
  • Sternberg, M. (1992), "Telling in Time (II): Chronology, Teleology, Narrativity", Poetics Today, n° 11, p. 901-948.
  • Sternberg, M. (2001), "How Narrativity Makes a Difference", Narrative, n° 9, (2), p. 115-122.
  • Van Bergen, A. (1968) Task interruption. Amsterdam: North-Holland Publishing Company.
  • Vorderer, P., H. Wulff & M. Friedrichsen (eds) (1996). Suspense. Conceptualizations, Theoretical Analyses, and Empirical Explorations, Mahwah: Lawrence Erlbaum Associates.
  • Walton, K. (1990), Mimesis as Make-Believe, Cambridge: Harvard University Press.
  • Yanal, R. (1996). "The Paradox of Suspense", British Journal of Aesthetics, n° 36, (2), p. 146-158.
  • Zeigarnik, B. (1927). Das Behalten erledigter und unerledigter Handlungen. Psychologische Forschung, 9, 1-85.
  • Zeigarnik, B. (1967). On finished and unfinished tasks. In W. D. Ellis (Ed.), A sourcebook of Gestalt psychology, New York: Humanities press.

參考來源
  1. gerrig. 缺少或|title=为空 (帮助)
  2. Ethan Chen. 缺少或|title=为空 (帮助)
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