Bernardo (or Bernardino) Zenale (c. 1460 – 1526) was an Italian painter and architect.
Biography
Zenale was born in Treviglio, Lombardy, where in 1485 he finished the great polyptych for the church of St. Martin, together with his fellow Bernardino Butinone. Like Butinone, he is said to have trained with Vincenzo Civerchio.[1] Later he collaborated to the decoration of the Certosa di Pavia. Subsequently, he was engaged by Ludovico Sforza, Duke of Milan, to paint a room in the Castello Sforzesco of that city. Also with Butinone, he frescoed the Grifi Chapel in the church of San Pietro in Gessate.
After circa 1500, Zenale seemed to abandon the Ferrarese-expressionist style of Butinone, a strong influence from Leonardo da Vinci starting to appear in his works. This is manifest in the polyptych that he painted for the Confraternity of the Immaculate Conception of Cantù (1502[2]). He was influenced also by Bernardino Luini's style: works like the Pala Busti and the large Annunciation (both in the Pinacoteca di Brera) have indeed raised disputes about the attribution to Luini or Zenale.
Zenale worked also in Brescia (the noteworthy Deposition in the church of St. John the Evangelist). In 1510 he painted a Madonna with Child between St. Ambrose and St. Jerome, for the church of St. Francis in Milan, now in Denver. In 1522 he replaced Giovanni Antonio Amadeo in the direction of works of the Duomo di Milano.
Sources
- Zenale e Leonardo. Tradizione e rinnovamento della pittura lombarda. Milan. 1983.
{{cite book}}: CS1 maint: location missing publisher (link) - Buganza, S. (1998). M. Gregori (ed.). Bernardo Zenale, in Pittura a Milano. Rinascimento e Manierismo. Milan. pp. 203–204.
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See also
Notes
- ↑ Boni, Filippo de' (1852). Biografia degli artisti ovvero dizionario della vita e delle opere dei pittori, degli scultori, degli intagliatori, dei tipografi e dei musici di ogni nazione che fiorirono da'tempi più remoti sino á nostri giorni. Seconda Edizione.. Venice; Googlebooks: Presso Andrea Santini e Figlio. p. 1103.
- ↑ Now divided between the J. Paul Getty Museum of Los Angeles, the Bagatti Valsecchi Museum, Milan and the Museo Poldi Pezzoli of Milan