Horace Silver and the Jazz Messengers
Compilation album by
Horace Silver and the Jazz Messengers
ReleasedOctober 1956
Recorded
  • November 13, 1954
  • February 6, 1955
StudioVan Gelder Studio
Hackensack, NJ
GenreJazz, hard bop
Length43:50
LabelBlue Note
BLP 1518
ProducerAlfred Lion
Horace Silver chronology
Horace Silver Trio and Art Blakey-Sabu
(1955)		 Horace Silver and the Jazz Messengers
(1956)		 Silver's Blue
(1956)
Jazz Messengers chronology
Horace Silver and the Jazz Messengers
(1956)		 At the Cafe Bohemia, Vol. 1
(1956)
Horace Silver Quintet, Vol. 3
Studio album by
the Horace Silver Quintet
Released1955
RecordedNovember 13, 1954
StudioVan Gelder Studio
Hackensack, NJ
LabelBlue Note
BLP 5058
Horace Silver Quintet, Vol. 4
Studio album by
the Horace Silver Quintet
Released1955
RecordedFebruary 6, 1955
StudioVan Gelder Studio
Hackensack, NJ
LabelBlue Note
BLP 5062

Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 (BLP 5058) and Horace Silver Quintet, Vol. 4 ((BLP 5062)—recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.

Background

Recording

One of the most successful tunes from the album, "The Preacher", was almost rejected for recording by producer Alfred Lion, who thought it was "too old-timey", but reinstated at the insistence of Blakey and Silver, who threatened to cancel the session until he had written another tune to record in its place if it wasn’t included.[1] According to Silver, the track showed that the band could "reach way back and get that old time, gutbucket barroom feeling with just a taste of the back-beat".[2]

Release

Originally released as an LP, the album has subsequently been reissued on CD several times.

Style and legacy

The music on the album mixes bebop influences with blues and gospel feels.

These recordings helped establish the hard bop style.

These were the first sessions in which he used the quintet format which he would largely use for the rest of his career.

Reception

Professional ratings
Review scores
SourceRating
AllMusic[3]
The Rolling Stone Jazz Record Guide[4]
The Penguin Guide to Jazz [5]

AllMusic critic Scott Yanow called it "a true classic".[6]

Track listing

Horace Silver and the Jazz Messengers – BLP 1518

All tracks are written by Horace Silver, except as noted.

Side 1
No.TitleDate recordedLength
1."Room 608"November 13, 19545:22
2."Creepin' In"November 13, 19547:26
3."Stop Time"November 13, 19544:07
4."To Whom It May Concern"February 6, 19555:11
Side 2
No.TitleWriter(s)Date recordedLength
5."Hippy" February 6, 19555:23
6."The Preacher" February 6, 19554:18
7."Hankerin'"Hank MobleyFebruary 6, 19555:18
8."Doodlin'" November 13, 19546:45

Horace Silver Quintet, Vol. 3 – BLP 5058

All tracks are written by Horace Silver

Side 1
No.TitleDate recordedLength
1."Room 608"November 13, 1954 
2."Creepin' In"November 13, 1954 
Side 2
No.TitleDate recordedLength
1."Doodlin'"November 13, 1954 
2."Stop Time"November 13, 1954 

Horace Silver Quintet, Vol. 4 – BLP 5062

All tracks are written by Horace Silver, except as noted.

Side 1
No.TitleDate recordedLength
1."Hippy"February 6, 1955 
2."The Preacher"February 6, 1955 
Side 2
No.TitleWriter(s)Date recordedLength
1."Hankerin'"MobleyFebruary 6, 1955 
2."To Whom It May Concern" February 6, 1955 

Personnel

Horace Silver Quintet

Technical personnel

References

  1. ↑ Silver, H. (2007): Let's Get to the Nitty Gritty: The Autobiography of Horace Silver, University of California Press, p. 79-80
  2. ↑ Rosenthal, D. H. (1992): Hard Bop: Jazz and Black Music, 1955-1965, OUP, p. 38
  3. ↑ Allmusic review
  4. ↑ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 181. ISBN 0-394-72643-X.
  5. ↑ Cook, Richard; Morton, Brian (2008) The Penguin Guide to Jazz Recordings (9th edition). Penguin. p. 1298.
  6. ↑ Allmusic: Horace Silver and the Jazz Messengers – Review
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