Basílica de la Sagrada Família
Basílica i Temple Expiatori de la Sagrada Família
Sagrada Família in 2022
Religion
AffiliationRoman Catholic
DistrictBarcelona
Ecclesiastical or organizational statusMinor basilica
LeadershipJuan José Cardinal Omella, Archbishop of Barcelona
Year consecrated7 November 2010 (2010-11-07)
by Benedict XVI
StatusActive
Location
LocationBarcelona, Spain
Geographic coordinates41°24′13″N 2°10′28″E / 41.40369°N 2.17433°E / 41.40369; 2.17433
Architecture
Architect(s)Antoni Gaudí and Francisco de Paula del Villar
StyleGothic Revival and Art Nouveau and Modernista
General contractorConstruction Board of La Sagrada Família Foundation[1][2][3]
Groundbreaking19 March 1882 (1882-03-19)
CompletedAfter 2026[4][5]
Specifications
Direction of façadeSoutheast
Capacity9,000
Length90 m (300 ft)[6]
Width60 m (200 ft)[6]
Width (nave)45 m (150 ft)[6]
Spire(s)18 (13 already built)
Spire height170 m (560 ft) (planned)
Website
sagradafamilia.org
Official nameNativity Façade and Crypt of the Basílica de la Sagrada Família
Part ofWorks of Antoni Gaudí
CriteriaCultural: (i), (ii), (iv)
Reference320-005
Inscription1984 (8th Session)
Extensions2005
TypeNon-movable
CriteriaMonument
Designated24 July 1969
Reference no.RI-51-0003813

The Basílica i Temple Expiatori de la Sagrada Família,[lower-alpha 1] otherwise known as Sagrada Família, is a church under construction in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site.[8] On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.[9][10][11]

On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned,[8] Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete.[12]

Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, anarchists from the FAI set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans.[13] In 1939, Francesc de Paula Quintana took over site management, which was able to go on due to the material that was saved from Gaudí's workshop and that was reconstructed from published plans and photographs.[14] Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer-aided design and computerised numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of five more spires, each symbolising an important Biblical figure in the New Testament.[12] It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death,[15] but this has now been delayed due to the COVID-19 pandemic.[16] Some aspects of it may only be finished by 2040.[5]

Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art",[17] and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages".[18] The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral).

History

Origins

The Sagrada Família was inspired by a bookseller, José María Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically.[19] Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884.

20th century

On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry."[20] When Gaudí died in 1926, the basilica was between 15 and 25 percent complete.[12][21] After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Garí and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. Armengol began introducing computers into the design and construction process in the 1980s.

21st century

In this model, the remaining parts to be built are shown in brown (2023).
New stonework at the Sagrada Família (left) is visible against the stained and weathered older sections (right).

The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. In 2002, the Sagrada Família Schools building was relocated from the eastern corner of the site to the southern corner, and began housing an exhibition. The school was originally designed by Gaudí in 1909 for the children of the construction workers.

As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. Computer-aided design technology has allowed stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand.[22] In 2008, some renowned Catalan architects advocated halting construction[23] to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years.[24]

Since 2013, AVE high-speed trains have passed near the Sagrada Família through a tunnel that runs beneath the centre of Barcelona. The tunnel's construction, which began on 26 March 2010, was controversial. The Ministry of Public Works of Spain (Ministerio de Fomento) claimed the project posed no risk to the church.[25][26] Sagrada Família engineers and architects disagreed, saying there was no guarantee that the tunnel would not affect the stability of the building. The Board of the Sagrada Família (Patronat de la Sagrada Família) and the neighborhood association AVE pel Litoral (AVE by the Coast) led a campaign against this route for the AVE, without success. In October 2010, the tunnel boring machine reached the church underground under the location of the building's principal façade.[25] Service through the tunnel was inaugurated on 8 January 2013.[27] Track in the tunnel makes use of a system by Edilon Sedra in which the rails are embedded in an elastic material to dampen vibrations.[28]

The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies.[29] The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people.[30] A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion.[31]

In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project.[2][3] Mark Burry of New Zealand serves as Executive Architect and Researcher.[32] Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades.

Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure were planned be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032.[33] Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million.[34] Completion of the structure will use post-tensioned stone.[35]

Starting on 9 July 2017, an international mass is celebrated at the basilica every Sunday and holy day of obligation, at 9 a.m., and is open to the public (until the church is full). Occasionally, Mass is celebrated at other times, where attendance requires an invitation. When masses are scheduled, instructions to obtain an invitation are posted on the basilica's website. In addition, visitors may pray in the chapel of the Blessed Sacrament and Penitence.[36]

The stone initially used in its construction came from the Monserrat mountains. Until recently, the stone began to become more fragile the deeper they quarried, so an alternative source had to be found to complete the construction. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England.[37]

Incidents

On 19 April 2011, an arsonist started a small fire in the sacristy which forced the evacuation of tourists and construction workers.[39] The sacristy was damaged, and the fire took 45 minutes to contain.[40]

On 11 March 2020, due to the COVID-19 pandemic in Spain, construction temporarily stopped and the basilica was closed.[41] This was the first time the construction had been halted since the Spanish Civil War.[42] The Gaudí House Museum in Park Güell was also closed. The basilica reopened, initially to key workers, on 4 July 2020.[43]

On 29 November 2021, a 7 m (23 ft) twelve-pointed illuminated crystal star was installed on one of the main towers of the basilica dedicated to the Virgin Mary. There were concerns about plans to build a large stairway leading up to the basilica's main entrance, unfinished at the time, which could require the demolition of three city blocks, the homes to 1,000 people as well as some businesses.[44]

Design

Plan view of the Sagrada Família
  Apse
  Ambulatory
  Choir
  Transept
  Façades
  Main Nave
  Aisles
  Cloister
  Reconstruction of the schools
See the image page for the map's full legend.

The style of the Sagrada Família is variously likened to Spanish Late Gothic, Catalan Modernism or Art Nouveau. While the Sagrada Família falls within the Art Nouveau period, Nikolaus Pevsner points out that, along with Charles Rennie Mackintosh in Glasgow, Gaudí carried the Art Nouveau style far beyond its usual application as a surface decoration.[45]

Plan

While never a cathedral, the Sagrada Família was planned from the outset to be a large building, comparable in size to a cathedral. Its ground-plan has obvious links to earlier Spanish cathedrals such as Burgos Cathedral, León Cathedral and Seville Cathedral. In common with Catalan and many other European Gothic cathedrals, the Sagrada Família is short in comparison to its width, and has a great complexity of parts, which include double aisles, an ambulatory with a chevet of seven apsidal chapels, a multitude of steeples and three portals, each widely different in structure as well as ornament. Where it is common for cathedrals in Spain to be surrounded by numerous chapels and ecclesiastical buildings, the plan of the Sagrada Família has an unusual feature: a covered passage or cloister which forms a rectangle enclosing the church and passing through the narthex of each of its three portals. With this peculiarity aside, the plan, influenced by Villar's crypt, barely hints at the complexity of Gaudí's design or its deviations from traditional church architecture. There are no exact right angles to be seen inside or outside the church, and few straight lines in the design.[46][47]

Spires

The top of the Virgin Mary's Spire (completed in December 2021)

Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles,[lower-alpha 2] the four Evangelists, the Virgin Mary, and, tallest of all, Jesus Christ. Thirteen spires have been completed as of 2023, corresponding to four apostles at the Nativity façade, four apostles at the Passion façade, the four Evangelists,[48] and the Virgin Mary.[49]

The Evangelists' spires are surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 metres (565.9 ft)) will be less than that of Montjuïc hill in Barcelona,[50] as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple.[51] However, only one bell is currently in place.[52]

The completion of the Jesus Christ spire will make Sagrada Família the tallest church building in the world—11 metres (36.1 ft) taller than the current record-holder, Ulm Minster, which is 161.5 metres (529.9 ft) at its highest point.[53]

The construction makes use of post-tensioned stone panels, which are pre-assembled before incorporation into the main structure; using this method has significant structural and operational benefits.[54][55]

Façades

The church is designed to have three grand façades: the Nativity façade to the east, the Passion façade to the west, and the Glory façade to the south (incomplete).

The Nativity façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence.

The Nativity façade

The Passion façade was built according to the design that Gaudi created in 1917. The construction began in 1954, and the steeples, built over the elliptical plan, were finished in 1976. It is especially striking for its spare, gaunt, tormented characters, including emaciated figures of Christ being scourged at the pillar; and Christ on the Cross. These controversial designs are the work of Josep Maria Subirachs.

The Glory façade, on which construction began in 2002, will be the largest and most monumental of the three and will represent one's ascension to God. It will also depict various scenes such as Hell, Purgatory, and will include elements such as the seven deadly sins and the seven heavenly virtues.

Nativity Façade

Sculpture of the choir of angel children

Constructed between 1893 and 1936, the Nativity façade was the first façade to be completed.[56] Dedicated to the birth of Jesus, it is decorated with scenes reminiscent of elements of life. Characteristic of Gaudí's naturalistic style, the sculptures are ornately arranged and decorated with scenes and images from nature, each a symbol in its own manner.[57] For instance, the three porticos are separated by two large columns, and at the base of each lies a turtle or a tortoise (one to represent the land and the other the sea; each are symbols of time as something set in stone and unchangeable). In contrast to the figures of turtles and their symbolism, two chameleons can be found at either side of the façade and are symbolic of change.

The portal of Charity on the Nativity façade

The façade faces the rising sun to the northeast, a symbol for the birth of Christ. It is divided into three porticos, each of which represents a theological virtue (Hope, Faith and Charity). The Tree of Life rises above the door of Jesus in the portico of Charity.[58] Four steeples complete the façade and are each dedicated to a Saint (Matthias, Barnabas, Jude the Apostle, and Simon the Zealot).[56]

Originally, Gaudí intended for this façade to be polychromed, for each archivolt to be painted with a wide array of colours. He wanted every statue and figure to be painted. In this way the figures of humans would appear as much alive as the figures of plants and animals.[59]

Gaudí chose this façade to embody the structure and decoration of the whole church. He was well aware that he would not finish the church and that he would need to set an artistic and architectural example for others to follow. He also chose for this façade to be the first on which to begin construction and for it to be, in his opinion, the most attractive and accessible to the public. He believed that if he had begun construction with the Passion Façade, one that would be hard and bare (as if made of bones), before the Nativity Façade, people would have withdrawn at the sight of it.[60] Some of the statues were destroyed in 1936 during the Spanish Civil War, and subsequently were reconstructed by the Japanese artist Etsuro Sotoo.[61]

Passion Façade

Passion Façade of the Sagrada Família in 2018

In contrast to the highly decorated Nativity Façade, the Passion Façade is austere, plain and simple, with ample bare stone, and is carved with harsh straight lines to resemble the bones of a skeleton. Dedicated to the Passion of Christ, the suffering of Jesus during his crucifixion, the façade was intended to portray the sins of man. Construction began in 1954, following the drawings and instructions left by Gaudí for future architects and sculptors. The steeples were completed in 1976, and in 1987 a team of sculptors, headed by Josep Maria Subirachs, began work sculpting the various scenes and details of the façade. They aimed to give a rigid, angular form to provoke a dramatic effect. Gaudí intended for this façade to strike fear into the onlooker. He wanted to "break" arcs and "cut" columns, and to use the effect of chiaroscuro (dark angular shadows contrasted by harsh rigid light) to further show the severity and brutality of Christ's sacrifice.

Facing the setting sun, indicative and symbolic of the death of Christ, the Passion Façade is supported by six large and inclined columns, designed to resemble strained muscles.[62] Above there is a pyramidal pediment, made up of eighteen bone-shaped columns, which culminate in a large cross with a crown of thorns. Each of the four steeples is dedicated to an apostle (James, Thomas, Philip, and Bartholomew) and, like the Nativity Façade, there are three porticos, each representing the theological virtues, though in a much different light.

The scenes sculpted into the façade may be divided into three levels, which ascend in an S form and reproduce the stations of the cross (Via Crucis of Christ).[6] The lowest level depicts scenes from Jesus' last night before the crucifixion, including the Last Supper, Kiss of Judas, Ecce homo, and the Sanhedrin trial of Jesus. The middle level portrays the Calvary, or Golgotha, of Christ, and includes The Three Marys, Saint Longinus, Saint Veronica, and a hollow-face illusion of Christ on the Veil of Veronica. In the third and final level the Death, Burial and the Resurrection of Christ can be seen. A bronze figure situated on a bridge creating a link between the steeples of Saint Bartholomew and Saint Thomas represents the Ascension of Jesus.[63]

The façade contains a magic square based on[64] the magic square in the 1514 print Melencolia I. The square is rotated and one number in each row and column is reduced by one, so the rows and columns add up to 33 instead of the standard 34 for a 4x4 magic square.

Glory Façade

The largest and most striking of the façades will be the Glory Façade, on which construction began in 2002. It will be the principal façade and will offer access to the central nave. Dedicated to the Celestial Glory of Jesus, it represents the road to God: Death, Final Judgment, and Glory, while Hell is left for those who deviate from God's will. Aware that he would not live long enough to see this façade completed, Gaudí made a model which was demolished in 1936, whose original fragments were used as the basis for the development of the design for the façade. The completion of this façade may require the partial demolition of the block with buildings across the Carrer de Mallorca.[65] The decision should be proposed in May 2023.[66]

To reach the Glory Portico the large staircase will lead over the underground passage built over Carrer de Mallorca with the decoration representing Hell and vice. On other projects Carrer de Mallorca will have to go underground.[67] It will be decorated with demons, idols, false gods, heresy and schisms, etc. Purgatory and death will also be depicted, the latter using tombs along the ground. The portico will have seven large columns dedicated to gifts of the Holy Spirit. At the base of the columns there will be representations of the seven deadly sins, and at the top, the seven heavenly virtues.

  • Gifts: wisdom, understanding, counsel, fortitude, knowledge, piety and fear of the Lord.
  • Sins: greed, lust, pride, gluttony, sloth, wrath, envy.
  • Virtues: kindness, diligence, patience, charity, temperance, humility, chastity.
Eucharist Door of the Glory Façade showing, at bottom, the "A...G" for Antoni Gaudí

This façade will have five doors corresponding to the five naves of the temple, with the central one having a triple entrance, that will give the Glory Façade a total seven doors representing the sacraments:

In September 2008, the doors of the Glory façade, by Subirachs, were installed. Inscribed with the words of the Our Father, these central doors are inscribed with the words "Give us our daily bread" in fifty different languages. The handles of the door are the letters "A" and "G" that form the initials of Antoni Gaudí within the phrase "lead us not into temptation".

Interior

Light coming through stained glass

The church plan is that of a Latin cross with five aisles. The central nave vaults reach forty-five metres (148 feet) while the side nave vaults reach thirty metres (98 feet). The transept has three aisles. The columns are on a 7.5 metres (25 ft) grid. However, the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of twelve hyperboloids (currently under construction). The central vault reaches sixty metres (200 ft). The apse is capped by a hyperboloid vault reaching seventy-five metres (246 ft). Gaudí intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loft.

There are gaps in the floor of the apse, providing a view down into the crypt below.

The columns of the interior are a unique Gaudí design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a sixteen-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counterclockwise).

Essentially none of the interior surfaces are flat; the ornamentation is comprehensive and rich, consisting in large part of abstract shapes which combine smooth curves and jagged points. Even detail-level work such as the iron railings for balconies and stairways are full of curvaceous elaboration.

Organ

Organ located in the chancel

In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard.

To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed.[69]

Geometric details

Alpha and Omega carving at Sagrada Família entrance

The steeples on the Nativity façade are crowned with geometrically shaped tops that are reminiscent of Cubism (they were finished around 1930), and the intricate decoration is contemporary to the style of Art Nouveau, but Gaudí's unique style drew primarily from nature, not other artists or architects, and resists categorization.

Gaudí used hyperboloid structures in later designs of the Sagrada Família (more obviously after 1914). However, there are a few places on the nativity façade—a design not equated with Gaudí's ruled-surface design—where the hyperboloid crops up. For example, all around the scene with the pelican, there are numerous examples (including the basket held by one of the figures). There is a hyperboloid adding structural stability to the cypress tree (by connecting it to the bridge). Finally, the "bishop's mitre" spires are capped with hyperboloid structures.[70] In his later designs, ruled surfaces are prominent in the nave's vaults and windows and the surfaces of the Passion Façade.

Symbolism

Detail of a steeple of the Passion Façade decorated with the word Sanctus

Themes throughout the decoration include words from the liturgy. The steeples are decorated with words such as "Hosanna", "Excelsis", and "Sanctus"; the great doors of the Passion façade reproduce excerpts of the Passion of Jesus from the New Testament in various languages, mainly Catalan; and the Glory façade is to be decorated with the words from the Apostles' Creed, while its main door reproduce the entire Lord's Prayer in Catalan, surrounded by multiple variations of "Give us this day our daily bread" in other languages. The three entrances symbolize the three virtues: Faith, Hope and Love. Each of them is also dedicated to a part of Christ's life. The Nativity Façade is dedicated to his birth; it also has a cypress tree which symbolizes the tree of life. The Glory Façade is dedicated to his glory period. The Passion Façade is symbolic of his suffering. The apse steeple bears Latin text of Hail Mary.

Areas of the sanctuary will be designated to represent various concepts, such as saints, virtues and sins, and secular concepts such as regions, presumably with decoration to match.

Burials

Appraisal

The art historian Nikolaus Pevsner, writing in the 1960s, referred to Gaudí's buildings as growing "like sugar loaves and anthills" and describes the ornamenting of buildings with shards of broken pottery as possibly "bad taste" but handled with vitality and "ruthless audacity".[45]

The building's design itself has been polarizing. Assessments by Gaudí's fellow architects were generally positive; Louis Sullivan greatly admired it, describing Sagrada Família as the "greatest piece of creative architecture in the last twenty-five years. It is spirit symbolised in stone!"[71] Walter Gropius praised the Sagrada Família, describing the building's walls as "a marvel of technical perfection".[71] Time magazine called it "sensual, spiritual, whimsical, exuberant".[20] However, author and critic George Orwell, mistakenly referring to it as a cathedral, called it "one of the most hideous buildings in the world",[72] author James A. Michener called it "one of the strangest-looking serious buildings in the world"[73] and British historian Gerald Brenan stated about the building "Not even in the European architecture of the period can one discover anything so vulgar or pretentious."[73] The building's distinctive silhouette has nevertheless become symbolic of Barcelona itself,[12] drawing an estimated 3 million visitors annually.[74]

World Heritage status

Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.[8]

Visitor access

Visitors can access the Nave, Crypt, Museum, Shop, and the Passion and Nativity steeples. Entrance to either of the steeples requires a reservation and advance purchase of a ticket. Access is possible only by lift (elevator) and a short walk up the remainder of the steeples to the bridge between the steeples. Descent is via a very narrow spiral staircase of over 300 steps. There is a posted caution for those with medical conditions.[75]

As of June 2017, online ticket purchase has been available. As of August 2010, there had been a service whereby visitors could buy an entry code either at Servicaixa ATM kiosks (part of CaixaBank) or online.[76] During the peak season, May to October, reservation delays for entrance of up to a few days are not unusual.

International masses

The Archdiocese of Barcelona holds an international mass at the Basilica of the Sagrada Família every Sunday and on holy days of obligation.

  • Date and time: Every Sunday and on holy days of obligation at 9am.
  • There is no charge for attending mass but capacity is limited
  • Visitors are asked to dress appropriately and behave respectfully.[77]

Funding and building permit

Construction on Sagrada Família is not supported by any government or official church sources. Private patrons funded the initial stages.[78] Money from tickets purchased by tourists is now used to pay for the work, and private donations are accepted.[79]

The construction budget for 2009 was €18 million.[29]

In October 2018, Sagrada Família trustees agreed to pay city authorities €36 million for a building permit, after 136 years of unlicensed construction.[80] Most of the funds would be directed to improve the access between the church and the Barcelona Metro.[81] The permit was issued by the city on 7 June 2019.[82]

See also

Notes

  1. ↑
    • Pronunciation: [bəˈzilikə ðə lə səˈɣɾaðə fəˈmiljə]
    • Translation: Basilica and Expiatory Temple of the Holy Family
    • Spanish: Basílica y Templo Expiatorio de la Sagrada Familia[7]
  2. ↑ Note: the two Apostles who are also Evangelists are left out and replaced by St. Paul and also St. Barnabas.

References

  1. ↑ "Fundació junta constructora del Temple Expiatori de la Sagrada Família" [Foundation for the construction board of the Temple Expiatori de la Sagrada Família]. Fundacions.cat (in Catalan). 2021. Retrieved 12 December 2021. [translated] Targets: Construction, conservation and restoration of a temple, faithfully executing the project of Antoni Gaudí.
  2. 1 2 "The Foundation and the History, Main Milestones". BASÍLICA de la SAGRADA FAMíLIA [Basilica of the Holy Family]. Retrieved 12 December 2021. 2012: Jordi Faulí takes over from Jordi Bonet as head architect and site manager for the works on the Temple of the Sagrada Família, which carry on according to Antoni Gaudí's plans.
  3. 1 2 Volner, Ian. "A Completion Date for Sagrada Família, Helped by Technology". Architect Magazine. Retrieved 9 November 2015. In 2012, Barcelona-born architect Jordi Faulí assumed control of the project.
  4. ↑ "Virus delays completion date for Spain's Sagrada Familia". France24. 16 September 2020. Retrieved 15 March 2021.
  5. 1 2 "When Will the Sagrada Familia Be Completed? Expected Finish Date of Gaudi's Last Masterpiece". Barcelona Tickets. Retrieved 23 October 2023.
  6. 1 2 3 4 Gómez Gimeno, María José (2006). La Sagrada Família. Mundo Flip Ediciones. pp. 86–87. ISBN 84-933983-4-9.
  7. ↑ "Història de la Basilica, 1866–1883: Origens". Fundació Junta Constructora del Temple Expiatori de la Sagrada Família (in Catalan). Retrieved 23 March 2019.
  8. 1 2 3 "Works of Antoni Gaudí". UNESCO.org. UNESCO World Heritage Centre. Retrieved 14 November 2010.
  9. ↑ Drummer, Alexander (23 July 2010). "Pontiff to Proclaim Gaudí's Church a Basilica". ZENIT. Archived from the original on 25 September 2010. Retrieved 7 November 2010.
  10. ↑ "The Pope Consecrates The Church of the Sagrada Familia". Vatican City: Vatican Information Service. 7 November 2010. Archived from the original on 4 August 2010. Retrieved 11 November 2010.
  11. ↑ Delaney, Sarah (4 March 2010). "Pope to visit Santiago de Compostela, Barcelona in November". Catholic News Service. Archived from the original on 7 April 2010. Retrieved 7 July 2010.
  12. 1 2 3 4 Minder, Raphael (3 November 2010). "Polishing Gaudí's Unfinished Jewel". The New York Times.
  13. ↑ Fraser, Giles (3 June 2015). "Barcelona's Sagrada Família: Gaudí's 'cathedral for the poor' – a history of cities in 50 buildings, day 49". The Guardian. ISSN 0261-3077. Retrieved 29 December 2018.
  14. ↑ "History of the Temple - Sagrada Família - Sagrada Familia".
  15. ↑ "Video: See How La Sagrada Família Will Progress in 2015", metropolismag.com, 25 September 2014 (retrieved 2 October 2019)
  16. ↑ "Sagrada Familia completion date pushed back due to coronavirus". Building Design + Construction. 17 September 2020.
  17. ↑ Rainer Zerbst, Gaudí – a Life Devoted to Architecture., pp. 190–215
  18. ↑ Goldberger, Paul (28 January 1991). "Barcelona". National Geographic. Archived from the original on 7 February 2010.
  19. ↑ "Sagrada Família". gaudiclub.com. The Gaudí & Barcelona Club.
  20. 1 2 Hornblower, Margo (28 January 1991). "Heresy Or Homage in Barcelona?". Time. Archived from the original on 17 November 2010.
  21. ↑ Gladstone, Valerie (22 August 2004). "ARCHITECTURE: Gaudí's Unfinished Masterpiece Is Virtually Complete". The New York Times.
  22. ↑ Daniel, Paul. "Diamond tools help shape the Sagrada Família". Industrial Diamond Review. Archived from the original on 1 October 2011. Retrieved 7 July 2010.
  23. ↑ Fancelli, Agustí (4 December 2008). "¿Por qué no parar la Sagrada Familia?" [Why not stop the Sagrada Familia?]. El País (in Spanish). Retrieved 7 July 2010. (English tr.)
  24. ↑ Burry, Mark; Gaudí, Antoni (2007). Gaudí Unseen. Berlin: Jovis Verlag. ISBN 978-3-939633-78-5.
  25. 1 2 Comorera, Ramon (13 October 2010). "La tuneladora del AVE perfora ya a cuatro metros de la Sagrada Família" [The tunnel boring machine of the AVE is already excavating four meters from the Sagrada Família]. El Periódico de Catalunya (in Spanish). Retrieved 9 November 2010.
  26. ↑ ADIF (Administrator of Railway Infrastructures). "Madrid – Zaragoza Barcelona – French Border Line Barcelona Sants-Sagrera – high-speed tunnel". Archived from the original on 21 June 2010. Retrieved 9 November 2010.
  27. ↑ "El AVE alcanza Girona". El Periódico de Catalunya (in Spanish). 8 January 2013. Retrieved 8 January 2013.
  28. ↑ Comorera, Ramon (12 March 2012). "Doble aislante de vibraciones en las obras de Gaudí" [Double Isolation of Vibrations at the Gaudí constructions]. El Periódico de Catalunya (in Spanish). Retrieved 12 March 2012.
  29. 1 2 Montañés, José Ángel (12 March 2009). "La Sagrada Familia se abrirá al culto en septiembre de 2010". El País (in Spanish). ISSN 1134-6582. Archived from the original on 20 October 2012. Retrieved 30 December 2022.
  30. ↑ "Pope Benedict consecrates Barcelona's Sagrada Familia". BBC News. 7 November 2010.
  31. ↑ "Visita histórica del Papa a Barcelona para dedicar la Sagrada Família". La Vanguardia. 7 November 2010. Archived from the original on 6 December 2019. Retrieved 7 November 2010.
  32. ↑ Fitzpatrick, Lisa (28 September 2011). "The Gaudí code". Barcelona Metropolitan. Retrieved 13 February 2019.
  33. ↑ Cunningham, Sharon (30 October 2017). "What are the main milestones for the Sagrada Família in the future?". Blog Sagrada Família.
  34. ↑ Wilson, Joseph. "Barcelona's La Sagrada Familia Basilica enters final years of construction". Toronto Sun. Retrieved 9 November 2015.
  35. ↑ "Tensioned stone". Blog Sagrada Família. 6 June 2018. Retrieved 19 May 2023.
  36. ↑ "Worship at the Basilica". Sagrada Família. Retrieved 5 September 2017.
  37. ↑ Titley, Megan (2 May 2018). "Barcelona's iconic Basilica de la Sagrada Familia built with stone from Lancashire". Lancashire Post. Retrieved 2 May 2018.
  38. ↑ Charles , Makah. Sagrada Familia . Photograph. Barcelona, June 12, 2019.
  39. ↑ Woolls, Daniel (19 April 2011). "Fire in Barcelona church sees tourists evacuated". The Star. Toronto.
  40. ↑ "Fire by suspected arsonist at Sagrada Familia". The Telegraph. 19 April 2011. Archived from the original on 11 January 2022. Retrieved 30 September 2013.
  41. ↑ "Junta agrees to stop works and visits to the Basilica". Sagrada Família. 11 March 2020. Retrieved 19 March 2020.
  42. ↑ "Spain's La Sagrada Familia will not restart construction works until after visitors return". The Olive Press. 4 May 2020. Retrieved 20 May 2020.
  43. ↑ "Coronavirus: Barcelona's Sagrada Familia basilica reopens to key workers". BBC. 4 July 2020. Retrieved 4 July 2020.
  44. ↑ Burgen, Stephen (29 November 2021). "Huge star atop Sagrada Família rekindles residents' complaints". The Guardian.
  45. 1 2 Pevsner, Nikolaus (1963). An Outline of European Architecture. Penguin Books. pp. 394–5. ISBN 978-0-14-020109-3.
  46. ↑ Strickland, Carol; Handy, Amy (2001). The Annotated Arch: A Crash Course in the History of Architecture. Vol. 2. Andrews McMeel Publishing. p. 112. ISBN 978-0-7407-1024-7. Retrieved 26 October 2018.
  47. ↑ Gaudí, Antoni; Cuito, Aurora; Montes, Cristina (2002). Gaudí. A. Asppan S.L. p. 136. ISBN 978-84-89439-91-7. Retrieved 26 October 2018.
  48. ↑ "Towers of the Evangelists Matthew and John, complete". basilica de la Sagrada Familia. 27 September 2023. Retrieved 19 October 2023.
  49. ↑ "A 5.5 tonne star is born on top of the iconic Sagrada Família in Barcelona". Spain in English. 9 December 2021. Retrieved 23 December 2021.
  50. ↑ "The Sagrada Família: a Temple where verticality rules". Blog Sagrada Família. 10 July 2019. Retrieved 6 March 2020.
  51. ↑ Álvaro Muñoz, Mari Carmen; Llop i Bayo, Francesc. "Tubular bell". Retrieved 16 November 2018.
  52. ↑ "Inventario de campanas de las Catedrales de España". Retrieved 16 November 2018.
  53. ↑ Oggins, Robin O. (2000). Cathedrals. Sterling Publishing Company, Inc. p. 82. ISBN 978-1-56799-346-2.
  54. ↑ Todisco, Leonardo; Stocks, Elizabeth; León, Javier; Corres, Hugo (1 December 2018). "Enhancing the Structural Performance of Masonry Structures by Post-Tensioning". Nexus Network Journal. 20 (3): 671–691. doi:10.1007/s00004-018-0374-z.
  55. ↑ Webb, Steve (29 May 2020). "Why the time is ripe for a return to stone as a structural material". www.ribaj.com. Retrieved 19 May 2023.
  56. 1 2 Faulí 2014, p. 42.
  57. ↑ Giralt-Miracle 2012, p. 198.
  58. ↑ Puig i Boada 1952, p. 29.
  59. ↑ Bergós i Massó, Joan (1999). Gaudí, l'home i l'obra. Barcelona: Ed. Lunwerg. p. 40. ISBN 84-7782-617-X.
  60. ↑ Barral i Altet, Xavier (1999). Art de Catalunya. Arquitectura religiosa moderna i contemporània. Barcelona: L'isard. p. 218. ISBN 84-89931-14-3.
  61. ↑ Sendra, Enric (17 July 2014). "First door of the Nativity Façade of the Sagrada Família has now been fitted". Catalan News. Retrieved 20 February 2018.
  62. ↑ Gaudí., Ardora Digital (Firma) Asociación de Amigos de (2011), La Sagrada Familia, Ardora Digital, OCLC 804963337
  63. ↑ "La Sagrada Familia abrirá al culto en 2008, según sus responsables" [The Sagrada Familia opens for worship in 2008, according to its leaders]. El Mundo (in Spanish). Mundinteractivos, SA. Europa Press. 2 June 2005. Retrieved 7 July 2010. (English tr.)
  64. ↑ "The magic square on the Passion façade: keys to understanding it". Blog Sagrada Família. 7 February 2018. Retrieved 7 December 2018.
  65. ↑ "The Future of La Sagrada Família – Urban Plans With 2026 In Mind". Barcelonas. 21 April 2021.
  66. ↑ "Sagrada Familia plans put 3,000 families at risk of eviction". 7 February 2022.
  67. ↑ Lover, Art Nouveau (28 March 2019). "Sagrada Familia – The Glory Facade". GaudiAllGaudi.com.
  68. ↑ Zerb, p.30
  69. ↑ Blancafort Orgueners de Montserrat, Archived 3 September 2011 at the Wayback Machine (in Catalan)
  70. ↑ Burry, M. C.; Burry, J. R.; Dunlop, G. M.; Maher, A. (2001). Drawing Together Euclidean and Topological Threads (PDF). The 13th Annual Colloquium of the Spatial Information Research Centre, University of Otago, Dunedin, New Zealand. Archived from the original (PDF) on 25 June 2008. Retrieved 5 August 2008. The paper explores the assemblies of second order hyperbolic surfaces as they are used throughout the design composition of the Sagrada Família Church building.
  71. 1 2 Mower, David (1977). Gaudí. Oresko Books Limited. p. 6. ISBN 0-905368-09-6.
  72. ↑ Orwell, George (1938). Homage to Catalonia. Secker and Warburg. [the anarchists] showed bad taste in not blowing it up when they had the chance.
  73. 1 2 Delaney, Paul (24 October 1987). "Gaudí's Cathedral: And Now?". The New York Times.
  74. ↑ Schumacher, Edward (1 January 1991). "Gaudí's Church Still Divides Barcelona". The New York Times.
  75. ↑ "Legal notice". Basílica de la Sagrada Família. Retrieved 26 August 2021.
  76. ↑ "Tickets". Basílica de la Sagrada Família. Archived from the original on 8 June 2017. Retrieved 8 June 2017.
  77. ↑ "Worship at the Basilica - Sagrada Família - Sagrada Familia". sagradafamilia.org.
  78. ↑ Fletcher, Tom. "Sagrada Família Church of the Holy Family". Essential Architecture. Archived from the original on 25 October 2022. Retrieved 5 August 2008.
  79. ↑ "Help make Gaudí's dream come true: the Sagrada Família". giving.sagradafamilia.org. Retrieved 11 December 2023.
  80. ↑ "136 years late, La Sagrada Familia finally lands a building permit". New Atlas. 24 October 2018.
  81. ↑ "Barcelona's Sagrada Familia Church Has Been Under Construction for 136 Years. That's a Lot of Unpaid Permit Fees". Time. 19 October 2018.
  82. ↑ "Sagrada Familia gets building permit after 137 years". CNN.com. 9 June 2019.

Bibliography

  • Faulí, Jordi (2014). La Basílica de la Sagrada Família (in Catalan). P&M. ISBN 978-84-8003-667-2.
  • Giralt-Miracle, Daniel (2012). Gaudí esencial (in Spanish). Barcelona: La Vanguardia Ediciones S.L. ISBN 978-84-96642-73-7.
  • Puig i Boada, Isidre (1952). El templo de la Sagrada Familia (in Spanish). Barcelona: Omega.

Further reading

  • Zerbst, Rainer (1988). Antoni Gaudi– A Life Devoted to Architecture. Translated by Doris Jones; Jeremy Gaines. Hamburg, Germany: Taschen. ISBN 3-8228-0074-0.
  • Nonell, Juan Bassegoda (2004). Antonio Gaudi: Master Architect. New York: Abbeville Press. ISBN 0-7892-0220-4.
  • Hernandez SJ, Jean-Paul (2007). Antoni Gaudi: La Parola nella pietra. I simboli e lo spirito della Sagrada Familia. Bologna, Italy: Pardes Edizioni. p. 114. ISBN 978-88-89241-31-8.
  • Crippa, Maria Antonietta (2003). Peter Gossel (ed.). Antoni Gaudi, 1852–1926: From Nature to Architecture. Translated by Jeremy Carden. Hamburg, Germany: Taschen. ISBN 3-8228-2518-2.
  • Schneider, Rolf (2004). Manfred Leier (ed.). 100 most beautiful cathedrals of the world: A journey through five continents. Translated by Susan Ghyearuni; Rae Walter. Edison, New Jersey: Chartwell Books. p. 33. ISBN 978-0-7858-1888-5.
  • Borja de Riquer i Permanye (2001). Modernisme i Modernistes. Barcelona: Gaudi, Lunwerg. ISBN 84-7782-776-1.
  • Barral i Altet, Javier (2001). Art de Catalunya. Arquitectura religiosa moderna i contemporània. Barcelona: Edicions L'isard. ISBN 84-89931-14-3.
  • Bassegoda i Nonell, Joan (1989). El gran Gaudí. Sabadell: Ausa. ISBN 84-86329-44-2.
  • Bassegoda i Nonell, Joan (2002). Gaudí o espacio, luz y equilibrio. Madrid: Criterio Libros. ISBN 84-95437-10-4.
  • Bergós i Massó, Joan (1999). Gaudí, l'home i l'obra. Barcelona: Edicions Lunwerg. ISBN 84-7782-617-X.
  • Bonet i Armengol, Jordi (2001). L'últim Gaudí. Barcelona: Edicions Pòrtic. ISBN 84-7306-727-4.
  • Crippa, Maria Antonietta (2007). Gaudí. Köln: Taschen. ISBN 978-3-8228-2519-8.
  • Flores, Carlos (2002). Les lliçons de Gaudí. Barcelona: Edicions Empúries. ISBN 84-7596-949-6.
  • Fontbona, Francesc; Miralles, Francesc (1985). Història de l'Art Català. Del modernisme al noucentisme (1888–1917). Barcelona: Edicions 62. ISBN 84-297-2282-3.
  • Giralt-Miracle, Daniel (2002). Gaudí, la busqueda de la forma. Lunwerg. ISBN 84-7782-724-9.
  • Gómez Gimeno, María José (2006). La Sagrada Familia. Dos de Arte. ISBN 84-933983-4-9.
  • Lacuesta, Raquele (2006). Modernisme a l'entorn de Barcelona. Barcelona: Diputació de Barcelona. ISBN 84-9803-158-3.
  • Navascués Palácio, Pedro (2000). Summa Artis. Arquitectura española (1808–1914). Madrid: Espasa Calpe. ISBN 84-239-5477-3.
  • Permanyer, Lluis (1993). Barcelona modernista. Barcelona: Polígrafa. ISBN 84-343-0723-5.
  • Puig i Boada, Isidre (1986). El temple de la Sagrada Família. Barcelona: Edicions de Nou Art Thor. ISBN 84-7327-135-1.
  • Tarragona, Josep Maria (1999). Gaudí, biografia de l'artista. Barcelona: Ed. Proa. ISBN 84-8256-726-8.
  • Van Zandt, Eleyearr (1997). La vida y obras de Gaudí. Asppan. ISBN 0-7525-1106-8.
  • Zerbst, Rainer (1989). Gaudí. Benedikt Taschen. ISBN 3-8228-0216-6.
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