The MIT Program in Art, Culture and Technology (ACT) has its origins in the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (MIT), an arts and research center founded in 1967 by artist and teacher György Kepes.[1] In 2009, CAVS merged with the MIT Visual Arts Program, to become the MIT Program in Art, Culture and Technology (ACT).[2] The Program is part of the MIT School of Architecture and Planning.

History

György Kepes, who taught at the New Bauhaus (now the IIT Institute of Design in Chicago), founded the Center at MIT as a way to encourage artistic collaboration on a large civic scale.[3] During its 45-year existence, the CAVS hosted more than 200 artists and fellows that "pioneered collaborative works in light, kinetic, environmental and inflatable sculpture, laser, steam, video, electronic music, holography, dance, computer graphics and animation, among other media".[4]

In 1974, Otto Piene succeeded Kepes as the director of the CAVS.[5][6] Piene retired in 1994 and the CAVS was taken over by Krzysztof Wodiczko, who, after a hiatus, continued as director. In 2004, Wodiczko brought on board a new staff including Associate Director Larissa Harris, Meg Rotzel, and Joe Zane. The CAVS began a revitalization program which included numerous site visits by international artists, long-term residencies, and the commissioning of new artistic projects. Some of the later visitors included Marjetica Potrč, Miranda July, Vito Acconci, Simon Starling, Harrell Fletcher, John Malpede, David Robbins, Fritz Haeg, and Mel Chin.[3]

The CAVS was originally located at 40 Massachusetts Avenue (MIT Building W11) near the center of the MIT campus, in space vacated by the relocation of the MIT branch of the Harvard/MIT Cooperative Society to the new Stratton Student Center. This CAVS space was later reassigned to on-campus religious counseling groups, and the CAVS was moved to 265 Massachusetts Avenue (MIT Building N52), north of the main campus. In 2009, the CAVS merged with the MIT Visual Arts Program (VAP), to become the MIT Program in Art, Culture and Technology (ACT), and moved into a new annex to the MIT Media Lab building, at 75 Amherst Street (MIT Building E14).

Archives, artworks, and artifacts from the history of the CAVS are preserved in the Center for Advanced Visual Studies Special Collection (CAVSSC). As of 2015, the collection is being cataloged; items are available to researchers, either remotely or in person, with advance notice.[7]

Fellows

Some of the center's early fellows included artists Otto Piene, Vassilakis Takis, Jack Burnham, Wen-Ying Tsai, Stan Vanderbeek, Jürgen Claus, Maryanne Amacher, Joan Brigham, Lowry Burgess, Peter Campus, Muriel Cooper, Douglas Davis, Susan Gamble, Dieter Jung, Piotr Kowalski, Charlotte Moorman, Antoni Muntadas, Yvonne Rainer, Keiko Prince, Alan Sonfist, Aldo Tambellini, Joe Davis, Bill Seaman, Tamiko Thiel, Alejandro Sina, Don Ritter, Luc Courchesne, and Bill Parker.

References

  1. ↑ Ross, Shawna; O'Sullivan, James (2016-11-30). Reading Modernism with Machines: Digital Humanities and Modernist Literature. ISBN 9781137595690.
  2. ↑ "MIT Center for Advanced Visual Studies Special Collection". act.mit.edu.
  3. 1 2 "A brief history". MIT CAVS.
  4. ↑ "The Center in Print: CAVS Poster Exhibition". ACT: MIT program in Art, Culture and Technology. Massachusetts Institute of Technology. June 18, 2015. Retrieved 2015-09-09.
  5. ↑ Packer, Renee Levine (July 23, 2010). This Life of Sounds: Evenings for New Music in Buffalo. Oxford University Press. ISBN 978-0-19-978153-9 – via Google Books.
  6. ↑ Studies, Massachusetts Institute of Technology Center for Advanced Visual (November 24, 1980). Centerbeam. MIT Press. ISBN 9780262660471 – via Google Books.
  7. ↑ "CAVS Special Collection: Policies". ACT: MIT program in Art, Culture and Technology. Massachusetts Institute of Technology.
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