The Reverend Doctor

P. Solomon Raj, AELC
Born
Pulidindi Solomon Raj

(1921-02-21)February 21, 1921[1]
Neggipudi,[2] West Godavari district (Andhra Pradesh, India)
DiedDecember 28, 2019(2019-12-28) (aged 98)
Vijayawada, Krishna District (Andhra Pradesh, India)
NationalityIndian
Education
Alma mater
OccupationPastor
Years active1947 - 2019 (72 years)
Known forChristian art on Batik
ReligionChristianity
ChurchAndhra Evangelical Lutheran Church Society
Ordained1956[3]
WritingsSee section
Congregations served
Andhra Evangelical Lutheran Church Society[3]
Offices held
Director, Suvartha Vani, Vijayawada[3]
TitleThe Reverend Doctor

P. Solomon Raj (21 February 1921[1] - 28 December 2019) was a pastor of Protestant Andhra Evangelical Lutheran Church Society headquartered in Guntur with major contribution to theological research and arts.[4] Old Testament scholar Victor Premasagar wrote about Raj as a pastor, professor of communications, creative artist, sculptor, poet and a theological writer.[5]

Church historian, K. L. Richardson of the Andhra Christian Theological College, Hyderabad, India, in Towards Self-Reliance: A historical survey of the programmes and efforts of Andhra Evangelical Lutheran Church from 1927 to 1969, Published by D. Christopher and T. Kanakaiah, Vijayawada, 2003[6] has highlighted the contribution of Raj with special reference to Indian liturgy and music. Richardson writes,

(Adapted) During 1960s, Rev. P. Solomon Raju contributed very much to the AELC on indigenous methods through his writings, seminars and other special efforts. Many Christian plays, Burra kathas and Hari Kathas were written in Telugu by the distinguished writers and musicians including Solomon Raj.

Much like theologians of India believing in the Indian ethos akin to A. B. Masilamani, D. S. Amalorpavadass, Victor Premasagar, M. Victor Paul and others, Raj believes that it is only that form of Christianity, deeply etched in diverse cultures of India, that can influence Christianity in India. While A. B. Masilamani promoted Indian liturgy in the Christian Hymnal in Telugu, D. S. Amalorpavadass advocated for vernacular liturgy. Similarly, Victor Premasagar had recognised the contribution of indigenous movements.[5] M. Victor Paul rooted for indigenous churches in place of institutionalized ones. It is in such a setting that Raj's contribution gains credence in the light of his doctoral dissertation on the Bible Mission Movement by Father Devadas which Roger E. Hedlund writes as,

Solomon Raj shows that the traditional mission-founded Churches are really Western appendages. This is true of the Lutherans and other traditional denominations including thentity: India's Churches of Indigenous Origin: the "Little Tradition" in Indian Christianity, published by the ISPCK for Mylapore Institute for Indigenous Studies, Madras, 2006, p.75.</ref>

As an artist, Raj received global acclaim. Gudrun Löwner of the United Theological College, Bangalore has devoted a section in The Oxford Handbook of Christianity in Asia[7],

Still alive and creative is the Lutheran theologian and artist, Solomon Raj who uses batik and woodcuts, which use cheap materials that are readily available. He depicts Jesus amidst the refugees and suffering people. The artist's favourite story is John 4, where he shows the liberative message of Jesus taking water from an untouchable woman, something which is still distant reality in South Indian villages, where the Dalits are not allowed to take water from the wells of others since they are considered 'polluting'.

Early education and studies

Graduate studies

Raj underwent initial studies between 1940 and 1945[4] at the AELC-Andhra Christian College, Guntur and became a teacher. During the tenure of A. N. Gopal as president of the Andhra Evangelical Lutheran Church Society, Raj was sent for theological studies to the Gurukul Lutheran Theological College, Madras, where he studied from 1953 to 1956 under thoroughbred faculty, including[8] Professor Hans-Werner Gensichen.

Post-graduate studies

In 1964[4] during the tenure of G. Devasahayam at the AELC Church Society, Raj was sent for post-graduate studies to the Indiana University, Indiana, where he completed a master's degree in education.[4]

Doctoral studies

When the Selly Oak Colleges, Birmingham invited[4] Raj to lecture in communication for term between 1978 and 1983, Raj not only taught at the college but also enrolled as a doctoral candidate and pursued research studies under the guidance of Walter Hollenweger.[4] Raj also spent time at the Lutheran School of Theology at Chicago.[8]

Art student

As an artist, Raj first learnt the nuances of art through the Sunday School and later became a student[4] of the notable artist, Damerla Rama Rao and cleared a state examination in drawing and painting. While at the Indiana State University, he learnt woodblock printing and etching.[4] As for batik, he learnt it from his friends in Hyderabad.[4]

Career

The career graph of Raj shows him as a teacher, pastor, administrator, professor and as an artist.[4]

Pastor

Although Raj began his career as a teacher, he soon became a pastor of the Andhra Evangelical Lutheran Church Society serving as a chaplain of the AELC-Andhra Christian College, Guntur serving during 1956–1959.[4] He then served at the Lutheran Theological College, Rajahmundry for a year, 1959–1960.[4]

Administrator

In 1960, on the invitation of the National Council of Churches in India (NCCI), he took up the directorship of the Department for Audio-Visual education and served in Nagpur, the headquarters of the NCCI from 1960 to 1968.[4] In 1968, he moved to Vijayawada to take up a role as director of the radio station, Suvartha Vani[9], a multimedia project of the Andhra Pradesh Council of Churches in partnership with Canadian Baptist Ministries, Andhra Evangelical Lutheran Church and Church of South India, serving during the period 1968–1978.[4] K. L. Richardson writes that Rev. P. Solomon Raj of the AELC who had rich experience in radio evangelism also served in the programme of Suvartha Vani.[6]

Professor

Raj took up professorship and lectured at the Selly Oak Colleges, Birmingham, from 1978 to 1983,[4] where he taught communication. Raj was visiting lecturer in the United States of America during 1984–1985.

Contribution

Scholars down the line have acknowledged the contribution of Raj to theology and art.

Writings

Ravela Joseph and B. Suneel Bhanu, who had undertaken a compilation in 1993 entitled Bibliography of original Christian writings in India in Telugu on behalf of the Board of Theological Education of the Senate of Serampore College, acknowledged Raj to be one of the original Christian writers[10] in Telugu. They have listed out the following works by Raj,

In addition to the books listed out, Raj has also authored,

  • in 1986, A Christian Folk Religion in India: A study of the small Church movement in Andhra Pradesh with special reference to the Bible Mission of Devadas.[8] Second edition in 2004 published by the Centre for Contemporary Christianity, Bangalore,[17]
  • in 1993, Living flame and Springing Fountain: Batiks and Meditations,[18]
  • in 2003, Fiery Wheels: Art works and meditations,[3]
  • in 2003, New Wine Skins: The Story of the Indigenous Missions in coastal Andhra Pradesh.[5]

Arts

Art forms interested Raj since his Sunday School days, and he soon got to show his arts from the later half of the 1960s.[4] He was Artist-in-Residence in United States of America, Great Britain, Canada, Japan and Philippines (Asian Institute for Liturgy and Music, Manila).[4] He held art shows and gave lectures in United Kingdom, United States of America, Japan, Sweden, Finland, Germany, Netherlands and the Philippines.[4]

Scholarly appraisal

Solomon Raj[20] is a gifted artist particularly in Batiks where he specialised in Biblical themes while drawing on Indian cultural symbols. This makes him a rare bird among Indian Christians, but the combination of artist and missiologist is still more rare.

By critical spirits among the visitors of his exhibitions, the batiks of Solomon Raj are often regarded as nice and harmless.[4]

Solomon Raj is a true universal Christian artist blending a Christian vision with the language of International Art using for example, Indian symbols, Indonesian Batik technique, Japanese woodcut and some stereotypes of orthodox icons – all this with a powerful and very personal new style. His art works are loved and admired by many people all over the world.[3]

  • Fr. Peter Balleis, SJ, Mission Procurator, Nuremberg,

...one could hardly overlook his (Solomon Raj's) presence, which was visible in the form of a good number of his artistic works in some of our offices and corridors.[3]

Recognition and honours

In 1986, Raj was elected as the president of the Indian Christian Art Association.[3] In 1987–88, Raj was William Paton Fellow at the Selly Oak Colleges, Birmingham.[4]

In 2006, a postgraduate candidate at the Utrecht University, Jojanneke Dekker undertook a research on the works of Raj entitled Solomon Raj, Prophetic Artist in India: A Research on Dr. P. Solomon Raj's Art as a Medium of Inculturation of the Gospel in India.[23]

References

  1. 1 2 Augustana - Theologische Hochschule der Evangelisch-Lutherischen Kirche in Bayern, 2013..
  2. ↑ fondly christened by him as "Nigrahapuri"
  3. 1 2 3 4 5 6 7 8 P. Solomon Raj, Fiery Wheels: Art Works and Meditations, Lalit Kala Ashram, Vijayawada, 2003, inside back cover.
  4. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Volker Kuester, Renunciation of Inculturation as an Aesthetic Resistance: The Indian artist Solomon Raj seen in a new light in Fiery Wheels: Art Works and Meditations, Lalit Kala Ashram, Vijayawada, 2003, pp.100–111
  5. 1 2 3 P. Solomon Raj, New Wine Skins: The Story of the Indigenous Missions in coastal Andhra Pradesh, published by the ISPCK, New Delhi for the Mylapore Institute for Indigenous Studies, Madras, 2003
  6. 1 2 K. L. Richardson, Towards Self-Reliance: A historical survey of the programmes and efforts of Andhra Evangelical Lutheran Church from 1927–1969, Published by D. Christopher and T. Kanakaiah, Vijayawada, 2003, pp.120, 133, 134.
  7. ↑ Gudrun Löwner, Christian Art and Architecture in Asia in Felix Wilfred (Edited), The Oxford Handbook of Christianity in Asia, Oxford University Press, 2014, pp.458–476.
  8. 1 2 3 P. Solomon Raj, A Christian Folk Religion in India: A study of the small Church movement in Andhra Pradesh with special reference to the Bible Mission of Devadas, Peter Lang, Frankfurt, 1986.
  9. ↑ Francis Peter Barboza, Christianity in Indian Dance Forms, Sri Satguru Publications, 1990, p. 193.
  10. 1 2 3 4 5 6 7 Ravela Joseph and B. Suneel Bhanu (Compiled), Bibliography of original Christian writings in India in Telugu, Board of Theological Education of the Senate of Serampore College, Bangalore, 1993, pp.3, 20, 29, 36, 40 and 67.
  11. ↑ P. Solomon Raj, How to Study the Bible, Christian Publishing House, Rajahmundry, 1957. Cited by Ravela Joseph and Suneel Bhanu in Bibliography of original Christian writings in India in Telugu, BTESSC, Bangalore, 1993.
  12. ↑ P. Solomon Raj, Story Telling, Christian Publishing House, Rajahmundry, 1959. Cited by Ravela Joseph and Suneel Bhanu in Bibliography of original Christian writings in India in Telugu, BTESSC, Bangalore, 1993.
  13. ↑ P. Solomon Raj, Wild Flowers, Christian Literature Society, Hyderabad, 1973. Cited by Ravela Joseph and Suneel Bhanu in Bibliography of original Christian writings in India in Telugu, BTESSC, Bangalore, 1993.
  14. ↑ P. Solomon Raj, A Theological Dictionary, St. John's Publications, Hyderabad, 1977. Cited by Ravela Joseph and Suneel Bhanu in Bibliography of original Christian writings in India in Telugu, BTESSC, Bangalore, 1993.
  15. ↑ P. Solomon Raj, Christ, the King of Kings, Christian Literature Society, Hyderabad, 1978. Cited by Ravela Joseph and Suneel Bhanu in Bibliography of original Christian writings in India in Telugu, BTESSC, Bangalore, 1993.
  16. ↑ P. Solomon Raj, The House of Worship, Christian Literature Society, Hyderabad, 1978. Cited by Ravela Joseph and Suneel Bhanu in Bibliography of original Christian writings in India in Telugu, BTESSC, Bangalore, 1993.
  17. ↑ Centre for Contemporary Christianity, Bangalore
  18. ↑ P. Solomon Raj, Living flame and Springing Fountain: Batiks and Meditations, ISPCK, New Delhi, 1993.
  19. ↑ Fuller Theological Seminary
  20. ↑ H. L. Richard in New Wine Skins: The Story of the Indigenous Missions in coastal Andhra Pradesh, published by the ISPCK, New Delhi for the Mylapore Institute for Indigenous Studies, Madras, 2003
  21. ↑ Johannes Gutenberg Universität, Mainz
  22. ↑ Utrecht University
  23. ↑ Jojanneke Dekker, Solomon Raj, Prophetic Artist in India: A Research on Dr. P. Solomon Raj's Art as a Medium of Inculturation of the Gospel in India, Utrecht University, Utrecht, 2006. Cited by Jan Peter Schouten in Jesus as Guru: The Image of Christ among Hindus and Christians in India, Rodopi, p.266.

Further reading

  • B. S. Moses Kumar (2019). Incarnation of the Gospel in Indian Culture: A Study of the Art and Poetry of Pulidindi Solomon Raj. ISBN 9789351483670.
  • Felix Wilfred (Edited) (2014). The Oxford Handbook of Christianity in Asia. ISBN 9780199329069. {{cite book}}: |author= has generic name (help)
  • Anand Amaladass, Gudrun Löwner (2012). Christian Themes in Indian Art: From the Mogul Times Till Today. ISBN 9788173049453.
  • Jojanneke Dekker (2006). Solomon Raj, Prophetic Artist in India: A Research on Dr. P. Solomon Raj's Art as a Medium of Inculturation of the Gospel in India. ISBN 9042024437.
  • Kolluri Luther Richardson (2003). "Towards Self-Reliance : A historical survey of the programmes and efforts of Andhra Evangelical Lutheran Church from 1927–1969, Published by Christopher and Kanakaiah, Vijayawada". {{cite journal}}: Cite journal requires |journal= (help)
  • R. Joseph and B. Suneel Bhanu (1993). "Bibliography of Original Christian Writings in India in Telugu". {{cite journal}}: Cite journal requires |journal= (help)
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