Samuel Kende (8 April 1858 – 13 September 1928)[1] was an Austrian art dealer, antiquarian and auctioneer whose auction house, S. Kende, in Vienna, was "Aryanized" after the Nazi annexation of Austria.

Life and family

Peter Fendi's Mother with Child under the Crucifix, 1899, in the Samuel Kende collection[2]

Samuel Kende was born in Klausenburg, Siebenbürgen, Austro-Hungarian Empire (now Cluj-Napoca, Romania) in 1858. In 1888, he founded an antiquarian bookshop with his brother, Albert, selling theological, archaeological and art literary works. From 1895 onward, auctions took place. Albert Kende started his own business as an auctioneer in the 1890s. The Art antiquarian and auction house "S. Kende" was registered in 1918 as a sole proprietorship based in Vienna I, Weihburggasse 18, in the commercial register of the Commercial Court of Vienna, later as an open trading company (OHG). The Kendes dealt with copperplate engravings, lithographs, oil paintings and watercolors. From 1920 the company's headquarters were at Rotenturmstrasse 14, where it expanded its range to include furniture, carpets, jewelry, gold and silver goods.[3] He carried out numerous art deals, including so-called house auctions, in which entire apartment inventories were auctioned on the spot, just as they were organized by the Dorotheum, and counted well-known domestic and foreign collectors among his customers.[4] Samuel Kende died in 1928. His widow, Melanie (née Horner; born 1872/1873 – died after 1945) and their son, Herbert Alexander Kende (1908-1977), continued to run the auction house. 31 house auctions are documented for the years 1930 to 1938. In 1930, they organized a commemorative exhibition for Rudolf von Alt, for which collectors made loans available. In 1937, the company had sales of around 487,000 schillings.[5]

Samuel Kende's second brother was Josef Kende, a prominent figure in the publishing and antiquarian book trade in Vienna. His two sisters were Helene Hlavacek and Irma Zeller von Zellhain, a music teacher. Of the siblings, only Irma Zeller von Zellhain survived the Holocaust, due apparently to her marriage to a gentile, Guido Zeller von Zellhain, albeit one who was persecuted by the National Socialists for political reasons. He was arrested on 13 February 1943. The proceedings initiated against him for "preparation for high treason" and "benefiting the enemy" had been temporarily suspended in 1944 due to his inability to stand trial. Guido Zeller von Zellhain died on 4 January 1945 in the General Hospital in Vienna.[4]

Nazi Anschluss, Aryanisation, Flight

After Austria was "annexed" to the German Reich in 1938, Jews were prohibited from owning or operating businesses. Kende's auction house in Kärntnerstraße and artwork were Aryanized i.e., transferred to non-Jews. Initially placed under the temporary administration of Ferdinand Josef Nagler,[6][7][8] the S. Kende company was then managed on a "temporary basis" by Blasius Fornach, owner of an antiques and painting shop in Vienna, and then by Arthur Raimund Morghen, according to the files, as the "political leader of the NSDAP". From mid-May 1938, a Munich art dealer, Adolf Weinmüller, sought the "Aryanization" of the S. Kende company at the Reichstatthalterei (Austrian provincial government), gaining control on 19 November 1938 "despite protests from Viennese auction houses and art dealers". Adolph Weinmüller & Co. Wiener Kunstversteigerungshaus (Adolph Weinmüller & Co. Vienna Art Auction House) took the place of S. Kende running the auction house until 1944.[9]

Melanie Kende and her son Herbert were able to emigrate to the United States, in 1939 and 1938, respectively, both later becoming United States citizens. In May 1947, Melanie and Herbert Kende submitted an application for restitution of the company to the restitution commission of the Regional Court for Civil Law Matters in Vienna. This was granted in 1948. The auction house was renamed to “S. Kende” was renamed and lasted until the 1950s. However, neither Kende ever returned to Vienna. Mother and son founded a successful art dealership in New York ("Kende Galleries"), which they continued to run there after the war.[10]

Death of Albert Kende

Albert Kende died in the Theresienstadt concentration camp on 3 December 1942. At the request of his surviving sister, Irma Zeller von Zellhain, he was declared deceased by order of the regional court for civil law matters in Vienna on 10 November 1946. His brother, antiquarian book dealer and publisher Josef Kende (born 6 June 1868), was deported to Dachau concentration camp on 1 April 1938 and later was sent to Buchenwald.[4]

The Weinmüller catalogs

Lostart.de published the annotated catalogues of the Nazi-era auction house Adolf Weinmüller were released online on 27 May 2014. These included 33 auctions that took place in Munich between 1936 and 1943, as well as 11 of the 18 auctions that took place in Vienna between 1938 and 1944.[11]

Literature

References

  1. ↑ "Samuel Kende". geni_family_tree. 8 April 1858.
  2. ↑ "Mutter mit Kind unter dem Kruzifix". sammlung.belvedere.at (in German). Belvedere. Archived from the original on 16 May 2021. Retrieved 16 May 2021. Inventarnummer 4023 Standort Derzeit nicht in der Schausammlung Provenienz 1899 Samuel Kende, Wien. – 1931 Leo und Lilli Oppenheimer, Wien (?). – 1934 Teppner, Wien. – 1934 Albert Kende, Wien
  3. ↑ Hupfer, Georg. "Zur Geschichte des antiquarischen Buchhandels in Wien" (PDF). pp. 166–167. Archived (PDF) from the original on 20 May 2016.
  4. 1 2 3 "Kende, Albert | Lexikon der österreichischen Provenienzforschung". www.lexikon-provenienzforschung.org. Archived from the original on 28 March 2020. Retrieved 16 May 2021. 20.2.1872 Klausenburg, Siebenbürgen – 3.12.1942 Ghetto Theresienstadt / Terezín
  5. ↑ ""... ein schwerreicher Kunsthändler aus München" Die "Arisierung" des Kunstantiquariats und Auktionshauses S. Kende in Wien durch Adolph Weinmüller1" (PDF). Archived (PDF) from the original on 2 July 2020. Das Tauziehen um die „Arisierung" des Auktionshauses durch Adolph Weinmüller Nach dem „Anschluss" wurde die Firma S. Kende zunächst von Blasius Fornach, dem Inhaber einer Antiquitäten-, Miniaturen- und Gemäldehandlung in Wien 1., Krugerstraße 18, „kommissarisch" verwaltet, von 29. Juli bis 19. November 1938 dann von Arthur Raimund Morghen, der in den Akten als „Politischer Leiter der NSDAP" aufscheint. Bereits Mitte Mai 1938 bewarb sich der Münchner Kunsthändler und Auktionator Adolph Weinmüller bei der Reichsstatthalterei (Österreichische Landesregierung) um die „Arisierung" der Firma, wobei sein Ansinnen auch von Morghen befürwortet wurde.
  6. ↑ NS-Provenienzforschung an österreichischen Bibliotheken : Anspruch und Wirklichkeit. Bruno Bauer (1., neue Ausg ed.). Satteins: Neugebauer, W. 2011. ISBN 978-3-85376-290-5. OCLC 760143375.{{cite book}}: CS1 maint: others (link)
  7. ↑ Mentzel, Walter. "Wiener NS-Antiquariate und ihre Rolle im Bücherraub. Oder: Wie Antiquariate von der Judenverfolgung profitierten. Ein Forschungsbericht1" (PDF). Archived (PDF) from the original on 30 November 2016.
  8. ↑ ANDERL, Gabriele (9 August 2017). ""Euer armer, unglücklicher, vollständig gebrochener alter Albert Kende"". Archived from the original on 4 August 2020.
  9. ↑ "Lost Art Internet Database - Beteiligte Privatpersonen und Körperschaften am NS-Kulturgutraub - Weinmüller, Adolf". www.lostart.de. Retrieved 16 May 2021. 1886–1958; Kunsthändler u. Auktionator, München, Kunsthandlung "Haus für Alte und Neue Kunst ", Max-Joseph-Str. 7, 1936-43 daneben "Münchener Kunstversteigerungshaus Adolf Weinmüller", Odeonsplatz 4, 1936-39 Geschäftsführer Dr. Ernst Michael Wengenmayr (1888–1963), ab 1939 Eberhard Arnold v. Cranach-Sichart (1886–1967), 1938 "Arisierung" des Auktionshauses "S. Kende", Wien, Rotenturmstr. 14, gegr. von Samuel Kende (1858–1928), darin wird sein "Wiener Kunstversteigerungshaus Adolf Weinmüller" bis 1944 fortgeführt; wirkte auf die "Arisierung" des Auktionshauses Hugo Helbing ein und profitierte davon, Geschäftspartner von Bornheim, verkaufte viele von der <Dienststelle Mühlmann> in den Niederlanden beschlagnahmte Kunstwerke, Monopolstellung im Münchner Auktionswesen während der Zeit der nationsozialistischen Regierung. Lit.: Meike Hopp, Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien (Veröffentlichungen des Zentralinstituts für Kunstgeschichte 30), Köln 2012; Qu.: ALIU, Final Report, 81
  10. ↑ Ancestry Library Edition
  11. ↑ "Annotated Auction Catalogues of Adolf Weinmüller (Munich/Vienna) on Lostart.de". lootedart.com. Retrieved 16 May 2021.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.