The Lord of the Rings:
The Rings of Power
The series' title, "The Lord of the Rings: The Rings of Power", in glowing gold letters in front of sparkling dust.
Genre
Based onThe Lord of the Rings and appendices
by J. R. R. Tolkien
Developed byJ. D. Payne
Patrick McKay
Theme music composerHoward Shore
ComposerBear McCreary
Country of originUnited States
Original languageEnglish
No. of seasons1
No. of episodes8
Production
Executive producers
Producers
  • Ron Ames
  • Chris Newman
Production locations
  • New Zealand (season 1)
  • United Kingdom (season 2–)
Running time65–72 minutes
Production companies
Original release
NetworkAmazon Prime Video
ReleaseSeptember 1, 2022 (2022-09-01) –
present

The Lord of the Rings: The Rings of Power is an American fantasy television series developed by J. D. Payne and Patrick McKay for the streaming service Amazon Prime Video. Based on the novel The Lord of the Rings and its appendices by J. R. R. Tolkien, the series is set thousands of years before Tolkien's The Hobbit and The Lord of the Rings and depicts the major events of Middle-earth's Second Age. It is produced by Amazon Studios in association with New Line Cinema and in consultation with the Tolkien Estate.

Amazon acquired the television rights for The Lord of the Rings from the Tolkien Estate in November 2017, making a five-season production commitment worth at least US$1 billion. This would make it the most expensive television series ever made. Payne and McKay were hired in July 2018. The series is primarily based on the appendices of The Lord of the Rings, which include discussion of the Second Age. Tolkien's grandson Simon Tolkien was consulted during development. Per the requirements of Amazon's deal with the Tolkien Estate, the series is not a continuation of Peter Jackson's The Lord of the Rings and The Hobbit film trilogies. Despite this, the production intended to evoke the films using similar production design, younger versions of film characters, and a main theme by Howard Shore who composed the music for both trilogies. Bear McCreary composed the series' score.

A large international cast was hired, and filming for the eight-episode first season took place in New Zealand, where the films were produced, from February 2020 to August 2021 (with a production break of several months during that time due to the COVID-19 pandemic). Amazon moved production for future seasons to the United Kingdom, where filming for the second season took place from October 2022 to June 2023 (finishing during the 2023 Writers Guild of America strike).

The Lord of the Rings: The Rings of Power premiered on September 1, 2022, with its first two episodes. The rest of the eight-episode first season ran until October 14. Amazon said the season was the most-watched of any Prime Video original series, and it received generally positive reviews from critics. The second season is expected to be released in 2024.

Premise

Set thousands of years before the events of The Hobbit and The Lord of the Rings, the series is based on author J. R. R. Tolkien's history of Middle-earth. It begins during a time of relative peace and covers all the major events of Middle-earth's Second Age: the forging of the Rings of Power, the rise of the Dark Lord Sauron, the fall of the island kingdom of Númenor, and the last alliance between Elves and Men.[1] These events take place over thousands of years in Tolkien's original stories but are condensed for the series.[2]

Episodes

SeasonEpisodesOriginally released
First releasedLast released
18September 1, 2022 (2022-09-01)October 14, 2022 (2022-10-14)
28[3]2024 (2024)[4][5][6]TBA

Season 1 (2022)

No.
overall		No. in
season		TitleDirected byWritten byOriginal release date
11"A Shadow of the Past"J. A. BayonaJ. D. Payne & Patrick McKaySeptember 1, 2022 (2022-09-01)
22"Adrift"J. A. BayonaGennifer HutchisonSeptember 1, 2022 (2022-09-01)
33"Adar"Wayne Che YipJason Cahill and Justin DobleSeptember 9, 2022 (2022-09-09)
44"The Great Wave"Wayne Che YipStephany Folsom and J. D. Payne & Patrick McKaySeptember 16, 2022 (2022-09-16)
55"Partings"Wayne Che YipJustin DobleSeptember 23, 2022 (2022-09-23)
66"Udûn"Charlotte BrändströmNicholas Adams & Justin Doble and J. D. Payne & Patrick McKaySeptember 30, 2022 (2022-09-30)
77"The Eye"Charlotte BrändströmJason CahillOctober 7, 2022 (2022-10-07)
88"Alloyed"Wayne Che YipGennifer Hutchison and J. D. Payne & Patrick McKayOctober 14, 2022 (2022-10-14)

Season 2

No.
overall		No. in
season		TitleDirected byWritten byOriginal release date
91TBACharlotte Brändström[7]TBD2024 (2024)[4][5][6]

Cast and characters

Production

Development

In July 2017, a lawsuit was settled between Warner Bros., the studio behind Peter Jackson's The Lord of the Rings and The Hobbit film trilogies, and the estate of author J. R. R. Tolkien upon whose books those films were based. With the two sides "on better terms", they began offering the rights to a potential television series based on Tolkien's The Lord of the Rings to several outlets, including Amazon, Netflix, and HBO,[22] with a starting price of US$200 million.[2] HBO pitched a remake of the Lord of the Rings films which Tolkien's estate was not interested in, and Netflix pitched multiple connected series focusing on characters such as Aragorn and Gandalf which reportedly "completely freaked out the estate". Amazon did not pitch a specific story but promised to work closely with the Tolkien Estate so they could "protect Tolkien's legacy", which they were unable to do with previous adaptations.[23] Amazon emerged as the frontrunner by September 2017 and entered negotiations.[24][25] Uncommonly for programming developments at the studio, Amazon CEO Jeff Bezos was personally involved with the negotiations.[25] Bezos was a personal fan of The Lord of the Rings,[2] and had previously given Amazon Studios a mandate to develop an ambitious fantasy series of comparable scale to HBO's Game of Thrones.[22]

On November 13, 2017, Amazon acquired the global television rights for close to US$250 million. Industry commentators described this amount—before any production costs and without any creative talent attached to the project—as "insane",[22] although some considered the project to be more of a reputational risk for Amazon than a financial one due to Bezos's wealth.[2] Amazon's streaming service Amazon Prime Video gave a multi-season commitment to the series that was believed to be for five seasons, with the possibility of a spin-off series as well. Despite this, Prime Video had to give a formal greenlight to future seasons before work could begin on them.[26] The budget was expected to be in the range of US$100–150 million per season, and was likely to eventually exceed US$1 billion which would make it the most expensive television series ever made.[22][24] Warner Bros. Television was not involved in the project because Amazon Studios wanted to produce it themselves. Amazon was working with the Tolkien Estate, the Tolkien Trust, HarperCollins, and New Line Cinema (the Warner Bros. division who produced the films).[22] New Line was reportedly included to allow the use of material from the films.[24] The Tolkien Estate imposed creative restrictions on the series,[22][27] and the deal stipulated that production begin within two years.[24]

The first season was reported to focus on a young Aragorn in May 2018.[28] Jennifer Salke, the head of Amazon Studios, said a month later that the deal for the series had only just been officially completed.[29] The studio met more than 30 potential writers,[30] including the Russo brothers and Anthony McCarten,[23] and asked for story pitches based on anything in Tolkien's The Hobbit, The Lord of the Rings, and its appendices. These included prequel stories focused on characters such as Aragorn, Gimli, and Gandalf.[31][32] J. D. Payne and Patrick McKay pitched a series that explored the major events of Middle-earth's Second Age, thousands of years before The Lord of the Rings, including the forging of the Rings of Power, the rise of the Dark Lord Sauron, the fall of the island kingdom of Númenor, and the last alliance between Elves and Men.[8] These events were covered in a five-minute prologue in the Lord of the Rings films,[33] and the pair wanted to expand this into "50 hours of television".[2] In contrast with the other experienced writers being interviewed, Payne and McKay had only done unproduced or uncredited writing. They were championed to Amazon by director J. J. Abrams who worked with them on an unproduced Star Trek film,[2][23] and were hired to develop the series in July 2018.[34] Payne said their pitch felt like "an amazing, untold story" that was "worthy of Tolkien",[31] and McKay added, "We didn't want to do a side thing. A spinoff or the origin story of something else. We wanted to find a huge Tolkienian mega epic, and Amazon" agreed.[35]

Jackson said in December 2018 that he and his film producing partners would read some scripts for the series and offer notes on them, but he later stated that this did not happen. Amazon explained that the deal to acquire the television rights for The Lord of the Rings required them to keep the series distinct from Jackson's films, and the Tolkien Estate were reportedly against Jackson's involvement in the project.[36] Payne and McKay were confirmed as showrunners and executive producers in July 2019, when the project's full creative team was revealed.[37][38] Additional executive producers include Lindsey Weber, Callum Greene, J. A. Bayona, Belén Atienza, Justin Doble, Jason Cahill, Gennifer Hutchison, Bruce Richmond, and Sharon Tal Yguado.[37][38][39] Prime Video officially ordered a second season in November 2019,[26] and announced the series' full title, The Lord of the Rings: The Rings of Power, in January 2022. Payne and McKay felt the title could "live on the spine of a book next to J.R.R. Tolkien's other classics".[1]

Writing

The Lord of the Rings and The Hobbit are set during the Third Age, while the First and Second Ages are explored in other Tolkien writings such as The Silmarillion, Unfinished Tales, and The History of Middle-earth. Because Amazon only acquired the television rights to The Lord of the Rings and The Hobbit, the writers had to identify all of the references to the Second Age in those books and create a story that bridged those passages. These are primarily in the appendices of The Lord of the Rings, but also in certain chapters and songs.[8] Tolkien's estate was prepared to veto any changes from his established narrative,[27] including anything that contradicted what Tolkien wrote in other works.[8] The writers were free to add characters or details,[27] and worked with the estate and Tolkien lore experts to ensure these were still "Tolkienian".[8] They referenced letters that Tolkien wrote about his works and mythology for additional context on the setting and characters.[8][40] Simon Tolkien, a novelist and the grandson of J.R.R. Tolkien, consulted on the series and helped develop its story and character arcs. He is credited as a "series consultant".[41] The showrunners disagreed with suggestions that the series was only "vaguely connected" to Tolkien's writings. McKay said they felt it was "deeply, deeply connected" and a "story we're stewarding that was here before us and was waiting in those books" to be told.[42] A disclaimer is featured in the series' end credits stating that some elements are "inspired by, though not contained in, the original source material".[43]

Payne and McKay knew the series was expected to run for five seasons and were able to plan elements of the final season, including the series' final shot, while working on the first.[44] Because they were unable to adapt dialogue from Tolkien's Second Age stories, the writers attempted to repurpose dialogue that they did have access to while also taking inspiration from religious texts and poetry. They tailored the dialogue to different characters using dialects and poetic meters.[8] Leith McPherson returned from the Hobbit films as dialect coach and noted that Tolkien's fictional languages evolve over time, so they are different for the Second Age compared to the Third. The series' Elves mostly speak Quenya, a language described as "Elvish Latin" that is often just used for spellcasting in the Third Age.[45] Dwarvish and Orkish are also heard, along with English, Scottish, and Irish dialects.[45][46] The biggest deviation made from Tolkien's works, which was approved by the estate and lore experts, was to condense the Second Age from thousands of years to a short period of time. This avoided human characters frequently dying due to their relatively short lifespans and allowed major characters from later in the timeline to be introduced earlier in the series.[2] The showrunners considered using non-linear storytelling instead, but felt this would prevent the audience from emotionally investing in the series. They said many real-life historical dramas also condense events like this, and felt they were still respecting the "spirit and feeling" of Tolkien's writings.[47]

After the series was revealed to have hired Jennifer Ward-Lealand as an intimacy coordinator, Tolkien fans expressed concern that it would include Game of Thrones-style graphic sex and violence.[48] Payne and McKay said this would not be the case and the series would be family-friendly. They hoped to evoke the tone of Tolkien's books, which can be "intense, sometimes quite political, sometimes quite sophisticated—but it's also heartwarming and life-affirming and optimistic."[2] They also said they did not want to be influenced by modern politics, aspiring to tell a timeless story that matched Tolkien's own intention to create a mythology that would always be applicable.[47]

Casting

Salke stated in June 2018 that the series would include some characters from the films,[49] and the showrunners intended for the new actors to look like they could feasibly grow up to be their film counterparts.[8] In January 2020, Amazon announced that the series' main cast would include Robert Aramayo, Owain Arthur, Nazanin Boniadi, Tom Budge, Morfydd Clark, Ismael Cruz Córdova, Ema Horvath, Markella Kavenagh, Joseph Mawle, Tyroe Muhafidin, Sophia Nomvete, Megan Richards, Dylan Smith, Charlie Vickers, and Daniel Weyman.[50] Aramayo and Clark were cast as younger versions of the film characters Elrond and Galadriel, respectively.[51] Amazon's co-head of television Vernon Sanders noted that there were still some key roles that had yet to be filled.[50] In December, Amazon announced 20 new cast members: Cynthia Addai-Robinson, Maxim Baldry, Ian Blackburn, Kip Chapman, Anthony Crum, Maxine Cunliffe, Trystan Gravelle, Lenny Henry, Thusitha Jayasundera, Fabian McCallum, Simon Merrells, Geoff Morrell, Peter Mullan, Lloyd Owen, Augustus Prew, Peter Tait, Alex Tarrant, Leon Wadham, Benjamin Walker, and Sara Zwangobani.[52] Baldry, Owen, and Walker portray Isildur, Elendil, and Gil-galad, respectively, characters that appeared in the films during flashbacks.[8][18][51] Budge revealed in March 2021 that Amazon had decided to recast his character after filming several episodes.[53][54] Charles Edwards was cast to replace him that July.[2][55] Will Fletcher, Amelie Child-Villiers, and Beau Cassidy were also added to the cast then.[55]

In early December 2022, Sam Hazeldine was revealed to have replaced Joseph Mawle in the role of Adar for the second season. Amazon also announced the casting of Gabriel Akuwudike, Yasen "Zates" Atour, Ben Daniels, Amelia Kenworthy, Nia Towle, and Nicholas Woodeson.[21] A week later, Amazon further announced the casting of Oliver Alvin-Wilson, Stuart Bowman, Gavi Singh Chera, William Chubb, Kevin Eldon, Will Keen, Selina Lo, and Calam Lynch.[56] Amazon announced in March 2023 that Ciarán Hinds, Rory Kinnear, and Tanya Moodie would have recurring roles in the second season.[57]

Design

Illustrator and concept artist John Howe said in August 2019 that the series would remain faithful to the designs of the film trilogies.[58] Payne and McKay later clarified that the series is not a direct continuation of the films,[8] per Amazon's deal for the series,[36] but they did not want it to "clash" with the films and tried to have similar designs. They took advantage of Howe's experience working on Jackson's adaptations, as well as that of costume designer Kate Hawley who worked on the Hobbit films. Other influences included the 1977 animated television adaptation of The Hobbit by Rankin/Bass.[8] Howe had filled 40 sketchbooks with drawings for the project by May 2022.[59]

Rick Heinrichs was initially announced as production designer,[38] and helped "launch" the series' designs before departing the project.[60] He was replaced by Ramsey Avery,[2][61] who said his biggest challenge was making Middle-earth feel both familiar and new. He approached this by attempting to create a "vibrant and rich and golden" world that contrasted with the films in which "everything is on its decline, and it's fading".[61] Avery left the series after the first season to work on the film Captain America: Brave New World (2024),[62] and was replaced by Kristian Milsted for the season season.[63]

Filming

In June 2018, Salke said the series could be produced in New Zealand, where the film trilogies were made, but Amazon was also willing to shoot in other countries as long as they could "provide those locations in a really authentic way, because we want it to look incredible".[49] Amazon confirmed in September 2019 that filming for the first season would take place in New Zealand.[64] Scotland had also been considered as a location.[65][66] Filming for the season began in Auckland in February 2020,[50][67] with J. A. Bayona directing the first two episodes.[68] Production was placed on hold in mid-March due to the COVID-19 pandemic,[69] and this shutdown segued into an already planned production break that allowed footage from the first two episodes to be reviewed and writing on the second season to begin.[70] Filming resumed at the end of September.[71] Wayne Che Yip and Charlotte Brändström directed the rest of the season's episodes.[72][73] Around a third of filming took place on location around New Zealand.[74] Production for the first season officially wrapped on August 2, 2021.[75]

The week after filming ended for the first season, Amazon announced that it was moving production of the series to the United Kingdom starting with the second season. Factors that played a role in the change included Amazon already heavily investing in UK studio space for other productions as well as New Zealand's restrictive pandemic-era border policies.[76] The Tolkien Estate also wanted the series to be filmed in the UK since Tolkien was inspired by locations there when writing his books.[77] Pre-production for the second season was expected to begin in the UK in the second quarter of 2022,[78] taking place concurrently with post-production for the first season which was continuing in New Zealand until June 2022.[76] Filming on the second season began on October 3,[79] with Brändström, Sanaa Hamri, and Louise Hooper directing.[3] Filming took place primarily at Bray Film Studios and Bovingdon Airfield outside of London,[78] with location filming around the UK and in the Canary Islands.[80][81] Production for the season wrapped in June 2023,[62] amid the 2023 Writers Guild of America strike.[82]

Visual effects

Company 3 created a post-production environment in the cloud that all work and assets for the series went through, allowing producer Ron Ames to manage all of post-production remotely. This became a necessity during the pandemic, and helped give the production a head-start on the second season when it moved to the UK.[83] The primary visual effects vendors for the first season were Wētā FX, returning from Jackson's films, and Industrial Light & Magic.[84] All the vendors were overseen by visual effects supervisor Jason Smith.[85] The season's effects include characters appearing at different scales,[85] augmented environments,[86] creatures,[87] and magic.[88]

The opening title sequence was co-directed by Katrina Crawford and Mark Bashore of the creative studio Plains of Yonder. They did not see any material from the series when starting work and instead took inspiration from Tolkien.[89] Based on the author's creation story in which the world is created from music, the pair suggested the title sequence be "built from the world of sound".[90] They investigated the science of cymatics, using a homemade Chladni plate and slow motion iPhone footage to test what shapes could be formed with sand particles by the vibrations of different sounds (including Gregorian chants, Angelic music, rock and roll, and whale calls).[89][91] For the final sequences, Crawford and Bashore used a 2 feet (0.61 m) wide rig and programmed tones to create basic patterns such as diamonds and swirls which were filmed practically.[90][91] The Plains of Yonder visual effects team then attempted to replicate the "flawed, wild motion" of the real photography for shots that feature iconography from Tolkien's writings such as the Two Trees of Valinor, the eight-pointed star associated with the character Fëanor, the geography of Middle-earth, and each set of the Rings of Power (nine human rings, seven Dwarven rings, three Elven rings, and the One Ring).[89][90][92] The sequence took seven months to complete.[89]

Music

Howard Shore, the composer for the Lord of the Rings and Hobbit films, was reported to be in discussions with Amazon about working on the series in September 2020. He was said to be interested in developing musical themes but not necessarily composing the entire score.[93] Shore was confirmed to be in talks for the series a year later,[94] when composer Bear McCreary was reported to be involved as well.[93] Their hiring was officially announced in July 2022, with McCreary composing the score and Shore writing the main title theme.[95] McCreary was contractually prohibited from quoting any themes that Shore wrote for the films.[96]

McCreary said the series was a "once-in-a-lifetime opportunity" to work on such an ambitious score, and he hoped to create a "continuity of concept" between the series and Shore's work on the films. He wrote more than 15 new themes for the series.[97] Though Shore's main theme was composed independently of McCreary's work, McCreary felt it "fit together so beautifully" with his own music.[98] A soundtrack album featuring Shore's main theme and selections from McCreary's score for the first season was released on August 19, 2022.[99] Additional albums featuring McCreary's full score for each episode were also released.[100]

Marketing

Early promotions for the series on social media used several maps of Middle-earth's Second Age, as well as excerpts from the novel The Lord of the Rings.[27][101] The maps were designed and created by illustrator John Howe and overseen by Tolkien scholar Tom Shippey to ensure they were accurate to Tolkien's works.[101] Howe and Shippey spent a lot of time working on the maps, which were based on Christopher Tolkien's maps of Númenor during the Second Age as well as his maps of the Third Age. Despite their efforts, HarperCollins received complaints from fans shortly after the maps were released online regarding two mistakes that were made on them.[58]

Amazon considered the reveal of the series' full title in January 2022 to be crucial due to it beginning the series' marketing campaign at the start of its premiere year. Instead of just using visual effects to create the title reveal, the studio released an announcement video in which the letters of the title are physically cast from molten metal while an excerpt of the "Ring Verse" from The Lord of the Rings is read in voiceover. The video was directed by Klaus Obermeyer, who worked with special effects supervisor Lee Nelson under advisement by veteran special effects supervisor Douglas Trumbull.[102] They filmed the video with foundryman Landon Ryan in late 2021 in Los Angeles, after experimenting with different combinations of metals, as well as sparkler dust, argon pours, and liquid hydrogen, to create the desired look. The final metal was a mixture of bronze and aluminum which was poured into moulds of compressed sand that could be used multiple times. The pouring was filmed at 5,000 frames per second with a Phantom Flex4K camera so it could be shown in ultra-slow motion.[103] For the final title card, the forged letters were inscribed with Elvish writing and placed on a large piece of redwood. Staff from the Tolkien fan website TheOneRing.net and entertainment journalists were invited by Amazon to watch the filming of the video.[102][103] Prologue Films provided previsualization for the sequence as well as compositing and additional visual effects. They recreated the final title card digitally, taking care to maintain the "integrity of the live action shots and lighting".[104]

A new book chronicling the events of Middle-earth's Second Age was announced in June 2022. Titled The Fall of Númenor, it was compiled and edited by Tolkien scholar Brian Sibley from J.R.R. and Christopher Tolkien's writings about the Second Age. The book features new illustrations by Alan Lee. It was published in November 2022 to capitalize on new interest in the topic arising from the first season's release.[105]

Release

The Lord of the Rings: The Rings of Power premiered on Prime Video in the United States on September 1, 2022.[106] Episodes were released in more than 240 countries and territories at the same time as the U.S.[106][107]

Reception

Viewership

Amazon announced that The Rings of Power had been watched by 25 million viewers globally in the first 24 hours that the first two episodes were available on Prime Video, the service's biggest premiere ever. This was the first time Amazon had publicly stated viewership data for Prime Video and the company did not specify how much of an episode a user needed to watch for them to count as a viewer.[108] By December 2022 the series had been watched by more than 100 million viewers globally and was Prime Video's most watched series ever. Sanders called it "a tremendous success".[109] In April 2023, Kim Masters at The Hollywood Reporter reported that the season was only finished by 37 percent of its initial U.S. viewers and 45 percent of international viewers. Salke responded that attempts to paint the series as less than a success did not reflect Amazon's internal discussions.[110]

Critical response

The review aggregator website Rotten Tomatoes reported an 83% approval score for the first season based on 489 reviews. The website's critical consensus reads, "It may not yet be the One Show to Rule Them All, but The Rings of Power enchants with its opulent presentation and deeply-felt rendering of Middle-earth."[111] Metacritic, which uses a weighted average, assigned a score of 71 out of 100 based on 40 reviews, indicating "generally favorable reviews".[112]

Accolades

Award Date of ceremony Category Recipient(s) Result Ref.
Art Directors Guild Awards February 18, 2023 Excellence in Production Design for a One-Hour Period or Fantasy Single-Camera Series Ramsey Avery (for "Adar") Won [113]
Excellence in Production Design for a Commercial Brian Branstetter (for "Title Announcement") Won
ASCAP Composers' Choice Awards May 16, 2023 Television score of the year Bear McCreary Nominated [114]
Astra TV Awards January 8, 2024 Best Supporting Actor in a Streaming Drama Series Ismael Cruz Córdova Nominated [115]
Astra Creative Arts TV Awards January 8, 2024 Best Fantasy or Science Fiction Costumes The Lord of the Rings: The Rings of Power Nominated
BAFTA Cymru Awards October 15, 2023 Best Actor Owain Arthur Nominated [116]
Camerimage November 19, 2022 Best Episode J. A. Bayona and Óscar Faura (for "A Shadow of the Past") Nominated [117][118]
Canneseries April 19, 2023 Madame Figaro Rising Star Award Morfydd Clark Won [119]
Costume Designers Guild Awards February 27, 2023 Excellence in Sci-Fi/Fantasy Television Kate Hawley (for "A Shadow of the Past") Nominated [120]
Critics' Choice Awards January 15, 2023 Best Supporting Actor in a Drama Series Ismael Cruz Córdova Nominated [121]
Critics' Choice Super Awards March 16, 2023 Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie The Lord of the Rings: The Rings of Power Nominated [122]
Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie Morfydd Clark Nominated
Dorian Awards June 26, 2023 Most Visually Striking Show The Lord of the Rings: The Rings of Power Nominated [123]
Golden Reel Awards February 26, 2023 Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR Robby Stambler, Damian Del Borrello, Stefanie Ng, Ailene Roberts, Ray Beentjes, Gareth Van Niekirk (for "Udûn") Nominated [124]
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley Damian Del Borrello, Robby Stambler, Paula Fairfield, James Miller, Chris Terhune, Gareth Van Niekerk, Ryan A. Sullivan, Goeun Everett, Richard Wills, Jonathan Bruce, Amy Barber (for "Udûn") Nominated
Outstanding Achievement in Music Editing – Broadcast Long Form Jason Smith, Michael Baber (for "Alloyed") Nominated
Golden Trailer Awards June 29, 2023 Best Fantasy Adventure for a TV/Streaming Series (Trailer/Teaser/TV Spot) Trailer Park Group Nominated [125]
Best Original Score for a TV/Streaming Series (Trailer/Teaser/TV Spot) Trailer Park Group Nominated
Best BTS/EPK for a TV/Streaming Series (Over 2 minutes) SunnyBoy Entertainment (for Behind the Scenes of "Alloyed") Nominated
Best Billboard (for Feature Film or TV/Streaming Series) WORKS ADV (for Statue Billboard) Nominated
Hollywood Music in Media Awards November 16, 2022 Original Score — TV Show/Limited Series Bear McCreary Nominated [126]
Hollywood Professional Association Awards November 28, 2023 Outstanding Visual Effects – Live Action Episode or Series Season Ron Ames, Jason Smith, Jesse Kobayashi, Ryan Tudhope, Sam Scott Nominated [127]
International Film Music Critics Association Awards July 18, 2023 Score of the Year The Lord of the Rings: The Rings of Power (music by Bear McCreary, theme by Howard Shore) Won [128][129]
Composer of the Year Bear McCreary Won
Composition of the Year "Galadriel" (music by Bear McCreary) Nominated
"Númenor" (music by Bear McCreary) Nominated
"Sailing Into the Dawn" (music by Bear McCreary) Nominated
Best Original Score for Television The Lord of the Rings: The Rings of Power (music by Bear McCreary, theme by Howard Shore) Won
Movieguide Awards February 26, 2023 Best Mature Audience Television "Alloyed" Won [130]
Epiphany Prize Television "Alloyed" Nominated
Faith & Freedom Award Television "Alloyed" Nominated
People's Choice Awards December 22, 2022 The Sci-Fi/Fantasy Show of 2022 The Lord of the Rings: The Rings of Power Nominated [131]
Primetime Creative Arts Emmy Awards January 7, 2024 Outstanding Fantasy/Sci-Fi Costumes Kate Hawley, Libby Dempster, Lucy McLay, Jaindra Watson, Pip Lingard, Jenny Rushton (for "A Shadow of the Past") Nominated [132]
Outstanding Main Title Design Katrina Crawford, Mark Bashore, Anthony Vitagliano, Fernando Domínguez Cózar Nominated
Outstanding Prosthetic Makeup Jason Docherty, Dan Perry, Mark Knight, Simon Rose (for "Adar") Nominated
Original Main Title Theme Music Howard Shore Nominated
Outstanding Sound Editing for a Comedy or Drama Series (One-Hour) Robert Stambler, Damian Del Borrello, Ailene Roberts, Stefanie Ng, Paula Fairfield, Chris Terhune, James Miller, Michael Baber, Jason Smith, Amy Barber, Jonathan Bruce (for "Udûn") Nominated
Outstanding Special Visual Effects in a Season or a Movie Ron Ames, Jason Smith, Nigel Sumner, Ara Khanikian, Dean Clarke, Ken McGaugh, Tom Proctor, Greg Butler, Joe Henderson Nominated
Saturn Awards February 4, 2024 Best Fantasy Television Series The Lord of the Rings: The Rings of Power Pending [133]
Best New Genre Television Series The Lord of the Rings: The Rings of Power Pending
Screen Actors Guild Awards February 26, 2023 Outstanding Performance by a Stunt Ensemble in a Television Series The Lord of the Rings: The Rings of Power Nominated [134]
Set Decorators Society of America Awards August 2, 2023 Best Achievement in Décor/Design of a One Hour Fantasy or Science Fiction Series Megan Vertelle and Ramsey Avery Nominated [135]
Society of Composers & Lyricists Awards February 15, 2023 Outstanding Score For Television Bear McCreary Nominated [136]
Visual Effects Society Awards February 15, 2023 Outstanding Visual Effects in a Photoreal Episode Jason Smith, Ron Ames, Nigel Sumner, Tom Proctor, Dean Clarke (for "Udûn") Won [137][138]
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project Dan Wheaton, Nico Delbecq, Dan LeTarte, Julien Gauthier (for Númenor City in "Adar") Won
James Ogle, Péter Bujdosó, Lon Krung, Shweta Bhatnagar (for Khazud Dûm in "Adrift") Nominated
Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project Kurt Debens, Hamish Bell, Robert Kelly, Gabriel Roccisano (for Volcano Destruction in "Udûn") Won
Rick Hankins, Aron Bonar, Branko Grujcic, Laurent Kermel (for Water and Magma in "Udûn") Nominated
Outstanding Compositing and Lighting in an Episode Sornalingam P, Ian Copeland, Nessa Mingfang Zhang, Yuvaraj S (for Tirharad Cavalry Charge in "Udûn") Nominated
Outstanding Special (Practical) Effects in a Photoreal or Animated Project Dean Clarke, Oliver Gee, Eliot Naimie, Mark Robson (for Middle-earth Storm in "Adrift") Nominated
World Soundtrack Awards October 21, 2023 Television Composer of the Year Bear McCreary Nominated [139]

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