Tina Escaja (born 1965 in Zamora, Spain), also known as Alm@ Pérez,[1] is a Spanish-American writer, activist, feminist scholar and digital artist based in Burlington, Vermont. She is a Distinguished Professor of Romance Languages and Gender & Women's Studies, and the Director of the Gender, Sexuality and Women's Studies Program at the University of Vermont.[2] She is the winner of the International Poetry Prize Dulce María Loynaz,[3] and the National Latino Poetry Award for Young Adults, Isabel Campoy-Alma Flor Ada.[4] She is considered a pioneer in the field of electronic literature in Spanish.[5][6] She is a full member of the North American Academy of the Spanish Language (ANLE),[2] and Corresponding member of the Royal Spanish Academy (RAE).[2]

Life

She has earned degrees from the University of Barcelona and the University of Pennsylvania. She served as President of Feministas Unidas, Inc., President of ALDEEU (Spanish Professionals in America), and President of AEGS (Association of Gender and Sexuality Studies).

Critical reception


Her creative work has been defined as a crossover between literary writing, digital art, video and multimedia projects.[7]

In the year 2000 she published the hypertextual poem VeloCity, considered a pioneer in the field of digital poetry in Spanish,[5] and one of "the first hypertextual works written by women."[6]

According to scholars and media critics María Goicoechea and Laura Sánchez, "Hypertext is, for Tina Escaja, the insignia of this new cyberfeminism that proposes a ‘non-essential modern subject’." The same critics note a change in this perception in Escaja's project Código de barras, a project based on barcode technology: “now technology is used to compel us to think about a perturbing reality of control and dominion.”[6]

Media critic Maya Zalbidea sees in her interactive hypertextual novel Pinzas de metal an example of electronic Cut-up technique,[8] and also states that "the multilinearity of the story provides the reader a feeling of intrigue and bewilderment."[9]

Regarding her award-winning poetry collection Caída libre, the writer and critic Sabas Martín finds connections with the innovating poetry of César Vallejo, and the images created by Federico García Lorca and Gabriela Mistral.[10]

Her work has been featured at Ciberfeminismos, tecnotextualidades y transgéneros. Literatura digital en español escrita por mujeres. Isabel Navas Ocaña and Dolores Romero Eds. Universidad Complutense, 2023[11] and Voces encendidas. Mujeres, arte y tecnología. María Goicoechea y Laura Sánchez (ed.) Madrid, Consejo Superior de Investigaciones Científicas, 2023[12]

Selected exhibitions and anthologies

Escaja's poetry and digital works have been exhibited in museums and galleries such as the Museum Wolf Vostell Malpartida de Cáceres (Spain);[13] Centro Cultural Okendo (San Sebastian, Spain);[14]the BCA Center,[15] the Flynndog Gallery,[16] and the Art Hop[17] in Burlington, Vermont; the Galerie du Centre de Design (Université du Québec à Montréal);[18]Matadero Madrid, Madrid, Spain;[19] Museo Provincial de Lugo, (Spain)[20] the Lewis Glucksman Gallery,[21] and the Mission District Cultural Center for Latino Arts, San Francisco.[22]

Her work has been translated into six languages, and has been included in anthologies such as the Electronic Literature Collection, Volume 3;[23]Escenario de crisis: dramaturgas españolas del nuevo milenio;[24][25]Tasting Asia: An Anthology of Poems of the 2016 Taipei Poetry Festival;[26]Dos Poemas y un Café: Mujeres poetas visuales II;[27][28]L'altra Penelope: Antologia di scrittrici di lingua spagnola;[29]Escritores españoles en Estados Unidos;[30]The Americas Poetry Festival of New York 2015;[31]Pegasos de dos siglos: Poesía en Kentucky 1977-2007;[32]Que no cesen rumores. Antología poética;[33]Trilogía Poética de las mujeres en Hispanoamérica (Pícaras, místicas y rebeldes);[34] and The WRUV Reader. A Vermont Writers’Anthology;[35]

Poetry collections

  • La odisea marina de María Traviesa (2017) Isabel Campoy-Alma Flor Ada Award 2017.[4] ISBN 9780997942361
  • Manual destructivista/Destructivist Manual (2016)[36] ISBN 9781940075433 Translations by Kristin Dykstra.
  • Caída libre/Free Fall (2015) Translations by Mark Eisner. Prologues by María Victoria Atencia & Li Kuei-Hsien ISBN 9781937677831
  • Respiración mecánica / Respiració mecànica / Hats hartze mekanikoa & VeloCity (2014) Translations by María Cinta Montagut (Catalan), Mariña Pérez Rei (Galician) and Itxaro Borda (Basque). Prologue by Marta Segarra ISBN 9788498885736
  • 13 Lunas 13 (2011) Prologue by Jill Robbins. ISBN 9788478394845
  • Código de barras (2007) Prologue by Concha García & Sharon Keefe-Ugalde. ISBN 9788496482418
  • Caída libre (Second edition, 2007) Prologue by María Victoria Atencia. ISBN 9789709894257
  • Caída Libre (2004) Dulce María Loynaz Award 2004.[3] ISBN 8479473665
  • Respiración mecánica (Badosa EP, 2001)[37]

Electronic works

  • "CAPTCHA Poem@". thenewriver.us. 2021.
  • “Mar y Virus / Virus and the Sea.” Messages from the Anthropocene. Flynndog Gallery, Burlington, VT. November 2020-June 2021.[38]
  • Pinzas de metal. “Afterflash: Showcasing Flash Fiction, Poetry, and Essays from The NEXT.” Collective digital exhibition curated by Dene Grigar. Electronic Literature Lab. January, 2021.[39]
  • “According to your likeness / my Image.” University of Central Florida Art Gallery, Orlando, July 2020.[40] 
  • "Emblem/as". collection.eliterature.org/4. 2017–2019. Also shown in The Glucksman Museum. Cork, Ireland, July 11–17, 2019.[41]
  • "Mora amor". Elmcip.net. 2017.
  • "Robopoem@s". thenewriver.us. 2020.
  • "Robopoem@s". Elmcip.net. 2016.
  • "Negro en ovejas (poema ovino)". proyecto.w3.uvm.edu. 2011.
  • "Código de barras". researchgate.net. 2006.[42]
  • "Pinzas de metal". Elmcip.net. 2003.
  • "VeloCity". Elmcip.net. 2000.[23]

Fiction

  • Asesinato en el laboratorio de idiomas / Murder in the Language Lab (2016) English Translation by John W. Warren. ISBN 9780997942323
  • "Bola luna" International Prize ‘Ana María Matute’ (finalist). (1995) ISBN 8478391622

Theater

  • De tripas corazón. 2019.[43]
  • Madres, 2007. ISBN 9788496790360

Other works

  • Por un lenguaje inclusivo: Estudios y reflexiones sobre estrategias no sexistas en la lengua española. Co-ed with Natalia Prunes. ANLE, 2021.
  • Resistencia: Poems of Protest and Revolution. Co-ed with Mark Eisner. Introduction by Julia Alvarez. Tin House, 2020. ISBN 978-1-951142-07-0
  • Diáspora Española: Migración y exilios. Actas seleccionadas de la XXXVII Asamblea General y Congreso Internacional de ALDEEU. Co-ed with Marta Boris Tarré. Lakeville, MA: ALDEEU, 2020. ISBN Nueva York en español: Intersecciones hispánicas en EEUU. Actas seleccionadas del XXXVI
  • Congreso Internacional de ALDEEU, Co-ed with Marta Boris Tarré. Lakeville, MA: ALDEEU, 2017. ISBN 978-0-692-87378-6

References

  1. ↑ "Badosa.com – Literary Publisher on the Internet since 1995". Badosa.com. Retrieved 2 November 2018.
  2. 1 2 3 "Tina Escaja, Professor of Spanish". Uvm.edu. Retrieved 10 December 2018.
  3. 1 2 "La profesora Tina Escaja se alza con el II Premio de Poesía Dulce María Loynaz". Eldia.es. 10 December 2003. Retrieved 2 November 2018.
  4. 1 2 "Tina Escaja Wins Award for Children's and Young People's Literature". Uvm.edu. Retrieved 2 November 2018.
  5. 1 2 "VeloCity Editorial Statement". collection.eliterature.com. Retrieved 17 December 2018.
  6. 1 2 3 "In search of a female technological identity in electronic literature: Dancing with the Spanish Domestic Cyborg". researchgate.net. Retrieved 17 December 2018.
  7. ↑ "Tina Escaja European eLiterature Collection". eliteraturecollection.eu. Retrieved 18 December 2018.
  8. ↑ "La técnica de los recortes en la literatura electrónica". prezi.com. Retrieved 18 December 2018.
  9. ↑ "Pinzas de metal". prezi.com. Retrieved 18 December 2018.
  10. ↑ Sabas Martín (2007). Sobre el volcán: A propósito de Canarias. Ed. Idea, Tenerife. p. 168. ISBN 9788483821275.
  11. ↑ "Voces encendidas. Mujeres, arte y tecnología | GRUPO DE INVESTIGACIÓN L.E.E.T.HI. (LITERATURAS ESPAÑOLAS Y EUROPEAS DEL TEXTO AL HIPERMEDIA)". www.ucm.es. Retrieved 13 July 2023.
  12. ↑ "Ciberfeminismos, tecnotextualidades y transgéneros. Literatura digital en español escrita por mujeres | Ediciones Complutense". www.ucm.es. Retrieved 13 July 2023.
  13. ↑ "El Museo Vostell Malpartida estrena mañana exposición". Hoy.es. 22 June 2006. Retrieved 20 December 2018.
  14. ↑ Montero, Yolanda (18 February 2007). "Siete creadoras meditan sobre el rol de las mujeres en la sociedad actual". El País. Retrieved 2 November 2018.
  15. ↑ "Alm@ Pérez Robopoems: Quadruped@s". Retrieved 2 November 2019.
  16. ↑ "Works Both Ways Exhibition". Flynndog.net. 26 May 2015. Retrieved 2 November 2018.
  17. ↑ "Vermont Art Zine: VIDEO: Sign of the Times, Time of the Signs, Part 1". Vermontartzine.blogspot.com. 19 November 2010. Retrieved 2 November 2018.
  18. ↑ "Exhibition Attention à la marche! / Mind the Gap!". uqam.ca. Retrieved 20 December 2018.
  19. ↑ "LOREM BITsum Electronic literature collective". Mataderomadrid.org. Retrieved 2 November 2018.
  20. ↑ "EXPOSICION: 16 ou 20 contidos desbordados / Rede Museística provincial de LUGO". Redemuseisticalugo.org. Retrieved 2 November 2018.
  21. ↑ "Peripheries" (PDF). glucksman.org/exhibitions/peripheries. Retrieved 2 November 2019.
  22. ↑ "Natalia Anciso". Archived from the original on 15 August 2018. Retrieved 6 June 2018.
  23. 1 2 "Electronic Literature Collection Volume 3". eliterature.org. Retrieved 24 November 2018.
  24. ↑ "Escenario de crisis: dramaturgas españolas del nuevo milenio". ovejasmuertas.wordpress.com. 10 November 2018. Retrieved 20 December 2018.
  25. ↑ Ana María Díaz Marcos, ed. (2018). Escenario de crisis: dramaturgas españolas del nuevo milenio. Benilde Teatro. ISBN 978-84-16390-77-9.
  26. ↑ 鴻鴻主編, ed. (2016). Tasting Asia: An Anthology of Poems of the 2016 Taipei Poetry Festival. Department of Cultural Affairs, Taipei City Government. ISBN 9789860498080.
  27. ↑ J. Seafree; R. Bullón Acebes, eds. (2014). "Dos Poemas y un Café: Mujeres poetas visuales II". Dos Poemas y Un Café. ISSN 2340-5015.
  28. ↑ "Dos Poemas y un Café: Mujeres poetas visuales II". Retrieved 20 December 2018 – via Issuu.
  29. ↑ Brigidina Gentile, ed. (2008). L'altra Penelope: Antologia di scrittrici di lingua spagnola'. Oedipus. ISBN 978-8873411253.
  30. ↑ Gerardo Piña-Rosales, ed. (2007). Escritores españoles en Estados Unidos. Academia Norteamericana de la Lengua Española. ISBN 978-0865150348.
  31. ↑ Carlos Aguasaco & Yrene Santos, ed. (2015). The Americas Poetry Festival of New York 2015. Artepoética Press. ISBN 978-1940075372.
  32. ↑ Richard K. Curry & Eduardo Espina, ed. (2007). "Pegasos de dos siglos: Poesía en Kentucky 1977-2007". Hispanic Poetry Review. ISSN 1531-0167.
  33. ↑ Rei Berroa, ed. (2010). Que no cesen rumores. Antología poética. Libros dela Luna. ISBN 978-9945003260.
  34. ↑ Leticia Luna, ed. (2008). Trilogía Poética de las mujeres en Hispanoamérica (Pícaras, místicas y rebeldes)'. La Cuadrilla de la Langosta. ISBN 978-8873411253.
  35. ↑ Chris Evans, ed. (2012). The WRUV Reader. A Vermont Writers'Anthology. CreateSpace. ISBN 978-1461176688.
  36. ↑ "10 bilingual poetry books to read during national poetry month". latinobookreview.com. Retrieved 24 November 2018.
  37. ↑ "Badosa.com – Ebook: Respiración mecánica, por Alma Pérez". Badosa.com. Retrieved 2 November 2018.
  38. ↑ "Messages From The Anthropocene 11.13.20 - 1.31.21 -". 6 November 2020. Retrieved 18 March 2023.
  39. ↑ "afterflash | Exhibit". the-next.eliterature.org. Retrieved 18 March 2023.
  40. ↑ "According to your likeness / my Image by Tina Escaja". projects.cah.ucf.edu. Retrieved 18 March 2023.
  41. ↑ "Peripheries | The Glucksman". www.glucksman.org. Retrieved 18 March 2023.
  42. ↑ "Códigos sin barras: La poesía como encuentro y desgarro". ciberiaproject.com. Retrieved 17 December 2018.
  43. ↑ "De tripas corazón". La Estrella. 18 March 2023. Retrieved 18 March 2023.
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