Virginia Agyeiwah Nimarkoh (born January 1967)[1] is a British artist and activist, based in London.[2] Nimarkoh was born in London, and studied at Goldsmiths College London from 1986 to 1989,[2] graduating with a PhD in Fine Art (Theory & Practice).[3] Her practice combines mostly photographic and curatorial projects. She also works in community development and environmental regeneration initiatives across London. She currently works mainly with food, running a raw food business[4] and food insecurity social enterprise in London.[5]

Work

Nimarkoh is interested in how we deal with identity in relation to personal history; the methods by which we record our lives, how we choose to edit our past, and in the disparity that often exists between reality, memory and the images we own of this past.[6]

A series of Nimarkoh's photo-installations was selected in 1990 by Henry Bond and Sarah Lucas for inclusion in their warehouse exhibition East Country Yard Show.

In 1993, Nimarkoh produced The Phone Box: Art in Telephone Boxes (London: Virginia Nimarkoh/Bookworks, 1993), an edition of 300 with original artists works as well as Postcard, an artist's book consisting of 144 colour postcards forming one composite image, (London: BookWorks, 1993).

Her photographic series Urban Utopias (2005–ongoing) is concerned with spaces in South East London, depicting allotments, city farms and parks.[7][8]

In 2008, Nimarkoh curated the research project Edge of a Dream: Utopia, Landscape & Contemporary Photography, which explored utopian depictions of landscape within recent art photography in the context of global capitalism, funded by the Arts & Humanities Research Council, with support from Camberwell College of Arts, Goldsmiths University of London and Hand Eye Projects. The international selection of artists included Simryn Gill (AUS), Mandy Lee Jandrell (SA/UK), Virginia Nimarkoh (UK) and David Spero (UK). The research project commissioned new writing by Anthony Iles (Mute magazine), Kate Soper (London Metropolitan University), John Wood (Goldsmiths), and a preface by Paul Halliday (Goldsmiths). The book Edge of a Dream was published in 2011 by Affram Books.

In 2019, Nimarkoh collaborated with Fan Sissoko on the short film We The People, in partnership with the Advocacy Academy, the UK's first youth activist campus, based in Brixton. The original soundtrack is by Dubmorphology. The project was commissioned by Museum of London.

Exhibitions

Solo exhibitions

  • 2011: Urban Utopias, Kunstraum Lakeside, Germany.[9]

Group exhibitions

Publications

  • David Bate, Francois Leperlier, Mise-en-Scene: Claude Cahun, Tacita Dean, Virginia Nimarkoh, ICA London, 1994.[16]
  • The Holy Bible: Old Testament, an artist book by David Hammons, co-produced by Virginia Nimarkoh and Richard Hylton, 2002.[17][18]
  • Edge of a Dream: Utopia, Landscape + Contemporary Photography, Simryn Gill, Mandylee Jandrell, David Spero, Paul Halliday, Virginia Nimarkoh, John Wood, Anthony Iles and Kate Soper, Affram Books 2010.[19]
  • Katharine Meynell, Mutual Dependencies, Artwords Press London, 2011.[20]

References

  1. ↑ "Ancestry.com. England & Wales, Civil Registration Birth Index, 1916–2007". Ancestry.com. Retrieved 22 March 2021.
  2. 1 2 Summers, Frances (2002). "Nimarkoh, Virginia". In Alison Donnell (ed.). Companion to Contemporary Black British Culture. Routledge. p. 221. ISBN 978-1-134-70025-7.
  3. ↑ "Virginia Nimarkoh". virginianimarkoh.net. Retrieved 2 April 2023.
  4. ↑ "goodness raw chocolate & preserves". goodness  raw  chocolate  &  preserves. Retrieved 3 November 2019.
  5. ↑ "Lambeth Larder - connecting people, food, and support". www.lambethlarder.org. Retrieved 4 November 2021.
  6. ↑ "Nimarkoh Virginia". Iniva (Institute of International Visual Arts). Retrieved 4 November 2021.
  7. ↑ Adelaide Bannerman, Open Frequency. October 2008
  8. ↑ "Open Frequency 2009: Virginia Nimarkoh selected by Adelaide Bannerman". Axisweb. Retrieved 4 November 2021.
  9. ↑ "Virginia Nimarkoh - Urban Utopias - Kunstraum Lakeside". Retrieved 22 March 2021.
  10. ↑ Anderson, Emma. "Four from Four x 4". Women's Art Magazine. 44 January–February 1992: 12–13.
  11. ↑ Deepwell, Katy. "Uncanny Resemblances: the Restaging of the mise en scene". Women's Art Magazine. no.62, (January–February 1995): 17–19.
  12. ↑ Irvine, Jaki. "Mise en Scene". Third Text. no.30 (Spring 1995): 101–106.
  13. ↑ Sladen, Mark. "Care and Control". Art Monthly. no. 189 September 1995: 13–15.
  14. ↑ Keen, Melanie; Ward, Elizabeth (1996). Recordings: A Select Bibliography of Contemporary African, Afro-Caribbean and Asian British Art. London: Institute of International Visual Arts and Chelsea College of Art and Design. ISBN 1899846-06-9.
  15. ↑ "Exotic Excursions". Iniva. Retrieved 22 March 2021.
  16. ↑ Mise en scène : Claude Cahun, Tacita Dean, Virginia Nimarkoh. David Bate, François Leperlier, Institute of Contemporary Arts. London: Institute of Contemporary Arts. 1994. ISBN 0-905263-59-6. OCLC 32294691.{{cite book}}: CS1 maint: others (link)
  17. ↑ "Dr Richard Hylton | Staff | SOAS University of London". www.soas.ac.uk. Retrieved 4 November 2021.
  18. ↑ "David Hammons 'The Holy Bible: Old Testament' - Announcements - e-flux". www.e-flux.com. Retrieved 4 November 2021.
  19. ↑ Edge of a dream : utopia, landscape & contemporary photography. Simryn Gill. [London]: Affram Books. 2011. ISBN 978-0-9566450-0-5. OCLC 894474318.{{cite book}}: CS1 maint: others (link)
  20. ↑ "Mutual Dependencies". Unbound. Retrieved 4 November 2021.


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