WSHE-FM
Broadcast areaChicago, Illinois
Frequency100.3 MHz (HD Radio)
BrandingThe NEW 100.3
Programming
FormatAdult contemporary (leans 1990s-2000's hits)
SubchannelsHD2: WMVP (1000 AM) simulcast (ESPN Radio/Sports, via agreement with Good Karma Brands)
Ownership
Owner
WDRV, WWDV, WTMX
History
First air date
1948 (as WFMF)[1][2]
Former call signs
WFMF (1948-1974)[2]
WLOO (1974-1988)[2][3]
WXEZ-FM (1988-1990)[3]
WPNT-FM (1990-1997)[3]
WNND (1997-2004)[3]
WILV (2004-2015)[3]
Call sign meaning
The word "she", as the station's target audience is women in the workforce
Technical information[4]
Licensing authority
FCC
Facility ID10059
ClassB
ERP5,700 watts
HAAT425 meters (1,394 ft)
Transmitter coordinates
41°53′56.00″N 87°37′23.00″W / 41.8988889°N 87.6230556°W / 41.8988889; -87.6230556
Links
Public license information
WebcastListen Live
Websitewshechicago.com

WSHE-FM (100.3 MHz) is a radio station licensed to Chicago, Illinois with an adult contemporary format focused on the 90s and 2000s with some 80s and 2010s music. The station is currently owned by Hubbard Broadcasting,[5] Its studios are located at One Prudential Plaza, with transmitter facilities atop the John Hancock Center downtown.

The station has had multiple owners since coming on the air in 1948, but has usually carried lighter music depending on industry trends, never veering too far towards any type of hard rock or rap format and specifically programmed to appeal to office listeners.

History

Beautiful music era

The station began broadcasting in 1948 as WFMF, owned by Field Enterprises.[1][2][6] WFMF aired a beautiful music format, and its programming was used for over the air background music in stores, including Field's own department stores.[6][7][8] The station's studios and transmitter were originally located at the Carbide & Carbon Building.[2] In 1957, WFMF was sold to Maurice, Lois, Jerome, and Lucille Rosenfield, for $125,000.[9]

By the mid-1950s, it had the fifth most listeners of any Chicago station during evening hours.[7] In 1955, the FCC attempted to force stations airing "functional music" to confine such programming to subcarriers.[7][10][11][12] WFMF's owners successfully challenged this FCC rule in court, with the station's large listenership among the general public being cited by the United States Court of Appeals in their 1958 ruling.[7][10][11][12] In 1959, WFMF became the first beautiful music FM station to be listed in a Hooper Ratings book.[7]

In 1966, the station was sold to Century Broadcasting for $450,000.[13][2][7] In 1970, its transmitter was moved to the John Hancock Center, while its studios were moved there the following year.[2]

In May 1974, the station's call letters were changed to WLOO, with the "L" often written in lower case to resemble a "1" to reflect its "FM-100" branding.[2][7][14] The station continued to air a beautiful music format;[7][15] mostly instrumental renditions of pop songs along with some soft vocalists. In the late 1970s, it was the second most listened to station in Chicago.[16] During this time, a version of its format known as the "FM 100 Plan" was syndicated by Darrell Peters to over 100 other stations across the country.[17][18][19][20]

Through the 1980s, WLOO continued airing an easy listening format, albeit with more vocals by AC artists and fewer by standards artists.[21]

WXEZ-FM

In 1988, the call letters changed to WXEZ-FM, standing for "Extra Easy".[3][22][23] The station evolved to a soft AC format, playing more vocals and fewer instrumentals.[23][24][25] The station was simulcast on WXEZ AM 820.[22][25] Its owner, Century Broadcasting, lost an age discrimination suit that was filed by announcers who they had fired and replaced with younger announcers when the station became WXEZ.[23][26]

WPNT-FM

On November 16, 1990, the station's call letters were changed to WPNT-FM, branded as "100.3 The Point", and it began airing a hot AC format, playing hits of the 1980s and current product.[27][28][29][30] The station was initially simulcast on 820 AM (which itself took the WPNT calls), but in early January 1991, its AM sister was taken off the air while its owner sold off that station and its transmitter site was re-located.[27][31][32]

In 1994, Steve Cochran began hosting morning drive.[33] In 1996, Fred Winston replaced Cochran as morning host.[34][35]

In spring 1997, WPNT was sold to Evergreen Media for $73 million.[36][37] At this time, the station was branded "Chicago's 100.3" with the slogan "The Radio Station That Picks You Up & Makes You Feel Good", airing a hot AC format, including 1980s and 1990s hits, along with currents.[38]

When Evergreen acquired WPNT, Chancellor and Evergreen were in the process of completing their merger.[39][40] The newly formed Chancellor would own too many stations in the Chicago market per FCC ownership limits.[41] As a result, WLUP and WPNT were sold to Bonneville International, which already owned hot AC station WTMX.[41]

WNND

As WPNT would provide in-house competition to the higher-rated WTMX, on October 6, 1997, WPNT adopted a differentiating adult contemporary format of its own as "Windy 100".[34][14][42] That month, the station's call letters were changed to WNND to match the new moniker.[3] The first song on "Windy" was "Forever Young" by Rod Stewart.[43][44] On December 10, 2002, the station rebranded as "100.3 WNND" and shifted to an 80s/90s hits format.[45] WNND also carried the nighttime request and dedication show "Love Notes", hosted by John Symons.[46][47]

WILV

On November 5, 2004, at 7 a.m., the station adopted a rhythmic-leaning AC/rhythmic oldies format as "100.3 Love FM," and its call sign was changed to WILV.[48][49][50][51] In 2006, Tommy Edwards joined "Love FM" as afternoon host, moving to mornings in 2007.[52][53][54] Edwards would later host weekends before leaving for 104.3 WJMK in 2011.[55]

In 2008, the station again became known as "Chicago's 100.3" and it aired an adult contemporary format.[56][57]

On June 7, 2010, at 1 p.m., WILV became "Rewind 100.3", airing a 1980s based classic hits format, along with some music from 1970s and 1990s.[58][59]

Bonneville announced the sale of WILV, as well as 16 other stations, to Hubbard Broadcasting on January 19, 2011.[60] The sale was completed on April 29, 2011.[61]

The station would gradually evolve back to adult contemporary.[57] Cara Carriveau joined WILV as evening host in January 2013, moving to afternoons in July 2014 as Robb Rose joined for evenings.[62] Carriveau remained with the station until March 2018.[63]

On December 1, 2013, WILV rebranded back to the "Chicago's 100.3" moniker.[57][64]

WSHE-FM

On March 2, 2015, the station rebranded as "SHE 100.3", and changed their call letters from WILV to WSHE-FM, retaining the same fulltime air staff.[65]

On July 29, 2022, at 10 a.m., WSHE shifted their playlist to emphasize 90's and 2000s music, as well as cover versions and dance remixes of some 80s hits, as "The NEW 100.3...SHE Loves the 90s and 2000s".[66]

The station's current, weekday airstaff included Brooke & Jeffrey (mornings), Lisa Kosty (middays), Rick Hall (afternoons) and Ginger Jordan (evenings).[67]

References

  1. 1 2 Broadcasting - Telecasting 1950 Yearbook Number, Broadcasting - Telecasting. 1950. p. 1320. Retrieved September 18, 2018.
  2. 1 2 3 4 5 6 7 8 History Cards for WSHE-FM, fcc.gov. Retrieved September 21, 2018.
  3. 1 2 3 4 5 6 7 Call Sign History, fcc.gov. Retrieved September 22, 2018.
  4. "Facility Technical Data for WSHE-FM". Licensing and Management System. Federal Communications Commission.
  5. "WILV Facility Record". United States Federal Communications Commission, audio division.
  6. 1 2 "Field Music Service Via FM Bucks Muzak", Billboard. December 31, 1949. p. 6. Retrieved September 21, 2018.
  7. 1 2 3 4 5 6 7 8 O'Connor, Richard. (2009). A Brief History of Beautiful Music Radio, Percy Faith Pages. Retrieved September 21, 2018.
  8. "FM Units Double in Two Year Period", Broadcasting. February 20, 1961. p. 82. Retrieved February 16, 2019.
  9. "Ownership Changes", Broadcasting - Telecasting. September 30, 1957. p. 105. Retrieved September 22, 2018.
  10. 1 2 "Functional Music, Inc. v. Federal Communications Commission, Functional Music, Inc. v. United States of America, Federal Communications Commission, 274 F.2d 543 (D.C. Cir. 1959)", United States Court of Appeals for the District of Columbia Circuit. Argued June 10, 1958. Decided November 7, 1958. Filed October 12, 1959. Court Listener. Retrieved September 22, 2018.
  11. 1 2 "FCC-to-FM Ops: 'You Must Stop Simplex Music'", Billboard. October 13, 1958. pp. 14, 18. Retrieved September 22, 2018.
  12. 1 2 "FCC to Appeal Court Functional Music Okay", Billboard. November 24, 1958. p. 13. Retrieved September 22, 2018.
  13. "Ownership Changes", Broadcasting. March 14, 1966. p. 95. Retrieved September 22, 2018.
  14. 1 2 Cappo, Joe (November 15, 1997). "Old WFMF's New Letters Get a Few Months, Tops". Crain's Chicago Business. Retrieved September 23, 2018.
  15. "Stations, everywhere: a listeners' guide to the AM and FM bands", Chicago Tribune Magazine, March 4, 1979. p. 35. Retrieved September 22, 2018.
  16. "The Chicago area's most popular radio stations", Chicago Tribune Magazine, March 4, 1979. p. 15. Retrieved September 22, 2018.
  17. Sterling, Christopher H.; Keith, Michael C. (September 15, 2009). Sounds of Change: A History of FM Broadcasting in America. University of North Carolina Press. p. 139. ISBN 9780807877555. Retrieved September 22, 2018 via Google Books.
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  25. 1 2 "WXEZ FM 100.3", Radio Chicago, Winter 1990. p. 61. Retrieved September 22, 2018.
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  27. 1 2 Feder, Robert (November 15, 1990). "To make its 'Point,' 'XEZ will disappear". Chicago Sun-Times. Archived from the original on May 5, 2016. Retrieved September 23, 2018.
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  66. https://radioinsight.com/headlines/235192/wshe-loves-the-90s-2000s/
  67. Staff Bios - 100.3 WSHE FM Chicago, WSHE-FM. Retrieved September 23, 2018.
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